Does humor have a temperature? Comedy films in Norway and Brazil | Instant News

Can humor have a temperature? Does anyone like hot or cold comedy? A short survey of films from Norway and Brazil invites us to consider how climate and geography can influence a person’s sense of humor. Let’s start with a joke from the Nordic countries:

A Swedish and a Norwegian decide to have a drink. They sat across the table with more than a few bottles of aquavit between them, firing shot after shot without a word. After three hours, the Norwegian raised his glass and said, “Skol!” Where the Swede frowns in disapproval, saying, “Did we come here to talk or to drink?”

Like most bar jokes, this one relies on stereotypes, but cultural cliches can tell. Swedes and Norwegians laugh at the qualities they find funny in their behavior: drinking habits, for example, and prolonged uncommunicative silence punctuated by unexpected outbursts. There’s something oddly funny here, perhaps ironic, detached, understated, cool. We find a lot of this cool humor in comedy from Norway.

Annoying Man (Annoying Man, 2006) opens with a wide shot of a remote landscape under dark clouds. A man slowly climbs the stairs and hangs a sign over a rusty gas station. After a full minute and a half, we saw a bus in the distance. It took another minute to reach us, when a younger man – the only passenger – left. The bus departs, leaving him to observe the barren panorama until he sees a sign: “Welcome.” More time passes before the first person appears from behind the pump. “Hi,” he said, and, without a word, climbed the stairs to erase the sign. “Is the banner for me?” the young man asked. “Yes,” came the response. “I like to make a fuss.” Then the sign came down.

It takes more than four minutes to unroll the scene. Norway’s open spaces and bleak climate are part of the joke. So did the old man’s use of reluctant language, like the Norwegian joke at the bar. Her idea of ​​a fuss is a one-word sign in the middle of nowhere.

Bent Hamer Kitchen Stories (Hymn from the kitchen, 2003) is a national identity comedy. The Swedes, known for their efficient studies, have come to analyze kitchen habits Norwegian men for the purpose of increasing their domestic product. Isak, a Norwegian, hates this arrangement, but he needs money. He makes statements about the oddity of Swedish words, such as “smörgåsbord,” and his observer’s unnatural silence (with a sour satire, perhaps, at Swedish neutrality during World War II). Meanwhile, Folke, the Swedish, found some oddities in the host Norway. When the phone rang, Isak failed to pick it up. “Why do not you answer?” Folke asked. Isaac knew a neighbor had called to say he was coming for coffee, but why pay the phone company for that information?

Unique behavior is a staple of Norwegian comedy. Watch this scene from Trollhunter (Troll hunter, 2010), an eccentric fantasy in which a normally mute Norwegian is interviewed about his odd job. The government has hired him to hunt trolls, which kill livestock and destroy tourism in the north. What makes the scene so amusing is its true description of these ludicrously dangerous creatures from Norse mythology. What hunters dislike the most about his job is filling out the “Killed Troll Form” every time he scores a goal.

By New York Sunday News, via Wikimedia Commons

Compare this short character and flat scene to the one in chanchada, a popular Brazilian film genre. Carmen Miranda portrays the carnival vitality of these films. With himher girl-girl-boom-chic Her loops and tutti-frutti cap, she embodies the Latina energy of the 1930s to the 1950s. During this “golden age”, and even later, the film industry in Brazil played a clever shadow play with Hollywood by taking turns copying and mocking films from the north of the border. Cod (Cod, 1975), a parody of Mouth, is a funny example.

In the seventies, as Brazilian cinema became more openly political, comedy took on a darker tone. In How Delicious My Little French is (How Good My French Is, 1971), the title character was finally cooked in a pot and eaten by the sixteenth century Tupinambá. The fantastical tale of cannibalism, a historical fact, becomes an ironic allusion to reverse colonial consumerism: Brazil’s natives devour their would-be predators. However, while such films clearly have a serious, even gruesome quality (variously dubbed Cinema Novo, Tropicalism, and even the “Trash Mouth film”), their humor is very manic, very heated, in contrast to their counterparts who flat in Norway.

Like most comedies, Brazilian films tend to feature characters from the lower classes, poor people trying to get ahead, often illegally. Guel Arraes set Dog’s Will (Auto da Campadecida, 2000) in the countryside of the northeast, where two clumsy low-life bandits, João and Chicó, trick their way through a crowd of ruffians and morons. Jorge Furtado The Man Copying (The Man Copying, 2003) occurred in urban Brazil at a slightly higher social rung. The man with the title is a convenience store employee named André, whose voice sounds like a how-to guide to getting rich. André began his rise to prosperity by photocopying his boss’s $ 50 bill, using it to buy winning lottery tickets. This takes him through the insane antics of bank theft, massive shopping, and layers of fraud and betrayal. Under a mix of cheerful genre conventions from Furtado – Hollywood screwball romance and film noir, Brazil chanchada and New Cinema—There are serious charges against a wealth culture based on greed and deceit.

If comedy is a matter of exaggeration, the actors in these Brazilian films propel “Latin passion” to a feverish peak while their Norwegian counterparts experience a kind of Nordic hypothermia. Both practice the art of exaggeration, a form of self-correction, showing that humor can be both a mirror and a drug. Or a culture thermometer.

Featured image by Jarosław Kwoczała

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Birnbrey, Henry | Instant News


Henry Birnbrey was born on November 29, 1923 in Dortmund, Germany as the only child of Jennie Jacobsohn and Edmund Birnbrey. His father served in World War I, owned a small textile business, and together, the family led a happy middle-class life. After the Nazi Party came to power in the 1930’s and anti-Semitic measures escalated, things took a turn for the worse and Henry’s mother began applying for a visa for him to leave Germany. One day a social worker told Henry’s mother that she could give him a visa to the US through the Kindertransport program, but he had to be at the train station within 24 hours. On March 31, 1938, at the age of 14, realizing that he might never see his parents again, Henry left Germany alone for New York. From there she would go to Birmingham, Alabama for a short time before settling in Atlanta in January 1939 at the home of Fannie Asman, a kind and generous woman who created a loving home for German Jewish youth. Lifelong friends will be created between this group and Ms. Asman will become the Henry family.

A few months after moving to Atlanta, Henry learned that his father had been arrested and badly beaten at Kristallnacht and a few days later, died of his wounds. Within a few months, Henry lost contact with his mother, finally learning that she too died from so-called, unknown causes. Several years later, he learned that more than 40 members of his extended family had died in the Holocaust, with only the first two cousins ​​surviving and living in Israel.

After World War II began, Henry enlisted in the US Army as part of the 30th Infantry Division (Old Hickory) and was immediately sent to Great Britain for training. The 30 participated in the D-Day invasion of Omaha Beach, fought in the Battle of the Bulge and in August 1944 fought and won the battle of Mortain, considered by many to be the most important turning point of the war. Henry will earn many medals in his military career including the Purple Heart, and in 2020, mostly posthumously, his division was awarded the Presidential Unit Citation for their heroism in this battle. He participated in the deliverance of a train filled with abandoned and abandoned Jews. After the war in Europe, Henry worked as a translator in counter-intelligence interviews, finally being sent back to his division in August 1945.

After returning to Atlanta, Henry opened an accounting firm and attended law school at Georgia State University. In 1951, he married Rebecca (Ricky) Kresses, Henry and Ricky had four children and sponsored, and over the years raised, Ricky’s two teenage cousins ​​who fled Castro in Cuba. Every Friday night (Shabbat) Birnbrey’s house accommodates soldiers, local students from another town, or anyone she and Ricky think might be hungry and need friends. His favorite Ricky died in 1988 after a long illness. Henry found love again and married Shirlye Kaufman. Together, their family will grow with eight children, 24 grandchildren, and by Summer 2021, 26 great-grandchildren. Shirlye, from blessed memory, passed away in 2013.

In his late 20s, Henry and a small group of people founded the Atlanta Hebrew Academy, now known as AJA. Henry was also an integral part of the initial transformation of the Great Atlanta Jewish Federation into the body it is today. During his adult life, Henry served on countless organizational boards and received numerous awards including the Lifetime of Achievement award from the Greater Atlanta Jewish Federation and recipient of the annual dinner (twice) from Greenfield Hebrew Academy. Henry has the rare distinction of being respected as a Trustee for Life in both organizations. He remained very active in the Jewish and secular Atlanta community until his final days. As Docent of The Breman Museum, he spoke with audiences of high school children, army bases and other groups from around the world about growing up in Nazi Germany. The speeches included several years of speaking and traveling to high school in his hometown of Dortmund, Germany. He fights against racism and inequality and personifies the command of Tikkun Olam (improve the world).

Although he will be remembered in society as a man who worked tirelessly for the greater good, his family will remember him as a great father, saba, uncle, and friend like himself. From his monthly Simchagram (announcing happy living events in a large family of hundreds), to his weekly Diverei Torah (with quirky and timely commentary on that part of the week’s Torah) to Friday’s “Good Shabbas” phone calls to every child, grandchild and great-grandchildren (regardless of where they are in the world). Her relationship with her family is epic and all-encompassing. The problems of his children, grandchildren, and great-grandchildren are his problems, and he cannot relax until all the problems are resolved.

Henry had died previously by Ricky, Shirlye and Henry’s parents, stepson (Richard Kaufman) and stepson (Garrett Kaufman) and left his children Judy (Shai) Robkin, Eddie (Joanne) Birnbrey, David (Karen) Birnbrey and Anita (Jeff) Stein and stepson Jeff (Alison) Kaufman, Mark (Nancy) Kaufman, and Karen (Craig) Senft, as well as their grandchildren and great-grandparents.

The family requested that donations be made to the AJA Ricky Birnbrey Fund, The Weber School, Breman Museum or The Jewish Federation of Greater Atlanta. Divine service held April 8, 2021. Arrangement by the Care of the Dressler Jewish Cemetery, 770,451,4999.

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Taipei Rejects Beijing Vaccine Diplomacy Intended to Isolate the Island State | Instant News

Taiwan said on April 7 that countries are helping by supplying COVID-19 a vaccine for its diplomatic allies that helped prevent the Chinese Communist Party (CCP) from attacking the island nation; Taiwan says Beijing is trying to use the pandemic to force the island nation’s allies to break away in exchange for a vaccine.

Paraguay, Taiwan’s only diplomatic ally in South America, said on March 22 that a Chinese vaccine-producing broker told the country they needed to break away from Taiwan if it were to get a COVID-19 vaccine from China.

Joseph Wu, Taiwan’s foreign minister, the word on Wednesday that India has delivered 100,000 doses of COVAXIN vaccine to Paraguay, and will send another 100,000 doses in the future. Paraguay has a population of 7.2 million people.

“The most important trend is that the Indian government is willing to help, and the United States deciding to help,” said Wu. “I think it will take a lot of pressure off a lot of countries.”

Vaccine diplomacy is not the only method Beijing authorities try to use to isolate Taiwan.

Surangel Whipps, president of Palau’s in the western Pacific, told AFP by video call this week that Beijing asked him to stop recognizing Taiwan, by frequently calling his cell phone when he ran in the 2020 elections. [The phone] going to ring like 16 times, “said Whipps.

Taiwan is a de facto independent country, whereas the CCP claims ownership of the island and applies pressure from all directions.

Since December 2016, Beijing has rejected seven countries from allying with Taiwan: São Tomé and Príncipe, Panama, Dominican Republic, Burkina Faso, El Salvador, Solomon Islands and Kiribati.

Taiwanese Foreign Minister Joseph Wu speaks at a press conference in Taipei, Taiwan on November 22, 2019 (Sam Yeh / AFP via Getty Images)

Against the CCP Vaccine Diplomacy

The Chinese regime has used the COVID-19 vaccine as a means of diplomatic coercion.

On March 19, China’s Agency for International Development Cooperation – a sub-ministerial-level organ under the State Council – announced that China was providing vaccines to 80 countries and three international organizations.

“If you look at the countries that receive the Chinese vaccine, whether it is Brazil or Chile or El Salvador, I think it has a big impact on our diplomatic allies,” Wu said.

Chinese regime claimed that it has no political goals behind it vaccine diplomacy efforts and say that it wants to vaccinate people with a good heart.

However, the vaccine for the Chinese is not enough. Bloomberg reported on April 8 that the CCP wants to vaccinate 560 million people by the end of June, about 40 percent of the population, however, they face a shortage of supply.

Epoch Times photo
A health worker prepares to administer the COVID-19 CoronaVac vaccine, developed by China’s Sinovac company, at the emergency clinic at the Saeng Thip sports ground in Bangkok, Thailand on April 7, 2021. (Mladen Antonov / AFP via Getty Images)

Faced with challenges from Beijing, the United States, India, Japan and Australia decided in their first Quad meeting in March that they would cooperate and deliver up to one billion doses of COVID-19 vaccine across Asia by the end of 2022.

Experts say that larger agenda of informal strategic forums– To forge a democratic union against authoritarian rule – is making itself visible in a partnership for vaccines, and that India has emerged as an alternative to China’s vaccine supply chain.

“They pledge to expand and accelerate the production of a safe, accessible and effective vaccine in India and partner at every stage to ensure that vaccines are delivered across the Indo-Pacific region by 2022,” Joe Chalil, a health care executive and author of the book “Beyond the COVID-19 Pandemic: Envisioning a Better World by Changing the Future of Health Care,” told The Epoch Times.

The partnership includes Australia supporting delivery of vaccines to hard-to-reach communities in Southeast Asia, contributing $ 77 million. Australia has committed $ 407 million to supply vaccines and to ensure the safety of ensuring full vaccine coverage to nine Pacific Island countries and Timor-Leste.

“Japan will assist developing country vaccination programs such as vaccine purchases and cold chain support, including through the provision of $ 41 million in grant aid and new soft yen loans, ensuring alignment with and support for COVAX,” the White House said. .

Taiwan has 15 allies currently. They is Marshall Islands, Republic of Nauru, Palau, and Tuvalu in Asia and the Pacific; The Holy See in Europe; Eswatini in Africa; Belize, Republic of Guatemala, Haiti, Republic of Honduras, Nicaragua, Republic of Paraguay, St. Petersburg Kitts and Nevis, Saint Lucia, and St. Lucia Vincent & Grenadines in Latin America and the Caribbean.

Venus Upadhayaya contributed to this report.


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Plan the Perfect Instagram Travel Blog Photoshoot in 6 Steps | Instant News

Planning is the key to any successful photoshoot. And while spontaneous shoots can work in your favor as well, it’s best to make a concrete plan and stick to it if you don’t want to take any chances. Plus, as an Instagram travel blogger, you can’t always trust these impulsive decisions. So, before you start a shoot, it is best that you make a shot and prepare yourself accordingly. And to help you do that, here’s a step-by-step guide on planning the perfect photoshoot for your Instagram travel blog. # 1 Determine the purpose of the shoot Since this is a travel blog, the purpose of the shoot should be pretty clear; to take pictures that vividly portray the beauty of the place. Apart from that, the shoot should also cover other aspects of the trip, including commuting, living, cooking, etc. If you are promoting something specific about that location, such as a hotel or resort, you should maintain appropriate communication with your client and consider their requirements for the shoot. # 2 Think Aesthetics With the growing number of bloggers and Instagram influencers, it’s getting harder and harder to make your feed unique and aesthetic. Therefore, you have to start thinking creatively if you want your Insta-feed to stand out from the rest. And in order to do that, you need to start rethinking your photoshoots. While you can always edit and use filters on your images to make them look more attractive or match a certain aesthetic, you should try to maintain the natural beauty of your images in most cases. Since you’re a travel blogger, people would appreciate it if you stick to a strict no-filter policy for your photos. Besides, the framing of your photos also counts here. Stick to the 4: 3 ratio if you want to, but try to incorporate different angles and views into it. # 3 Selecting a location As an influencer, you probably won’t have any control over where you need to shoot. Unlike a freelance blogger, you’ll have to stick with whatever your client wants you to capture. Even so, you can still decide certain aspects of the location that you, as a photographer, think is the best for the shot. These aspects include adequate natural lighting, a correct view of the location, key objects, buildings or monuments specific to that area, etc. # 4 Checking the weather forecast Sunny weather is probably the best condition for a photoshoot. However, if you want to capture rain or snowfall during your shoot, you are also welcome. The type of weather will also influence the choice of what equipment to take with you. So before you make up your mind or head to the location, be sure to check out the type of weather that is prevalent there. To do this, you can use the tomorrow forecast tool to get an accurate overview of the weather of the desired location for the next week. # 5 Pick a convenient time Different times of the day will result in different types of lighting. Between early morning and noon, the lighting is likely to be at its best. Towards evening, the light will begin to fade. However, it will not completely disappear and produce beautiful aesthetic shots of an open landscape. Night photography is by far the most difficult. It is almost impossible to get quality night photos without professional equipment. Pick a time as per your convenience and be as creative as possible with the lighting. Try to plan your shoot around your preferred time of day. If you are taking photos of things other than landscapes (such as different products or the interiors of buildings), you should try to take lighting equipment with you, just to be on the safe side. # 6 Choosing the right gear Even with the right skills, you still won’t be able to capture the true beauty of a place or landscape if you don’t have the right gear. Different types of photoshoots require different types of equipment. If you want to take stunning high definition photos, professional photography equipment is the way to go. If you go for something simpler, your regular Android or iPhone will do just fine.

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The first four characters announce the “Legend of Zelda: Breath of the Wild Champion” series | Instant News

Over the years, First 4 Figures has released many amazing PVC statues with Zelda as the theme, and it will expand its Breath of the Wild line.

F4F revealed in a post on its social channels that the “Champion Series” is about to “come” and the first character-Revali-is under development. This is a quick trailer:

The full post on the company’s official website reiterated how Revali is already in the “physical stage” of development. Although the championship series has been confirmed to be launched soon-remember that “the release date has not been announced yet”.

So, what do you think of Revali?Are you interested in Breath of the Wild and other champions Hyrule Warriors: Age of Disaster?If you want to solve some small problems, there will always be Amibo Line.


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