PESHAWAR, April 9 (APP): People from all walks of life in Khyber Pakhtunkhwa, Thursday, highly praised the government’s initiative to start distributing an amount of Rs 12,000 among every eligible family under Prime Minister Ehsas Cash’s program which will directly facilitate around 2.2 million poor in the province. Eligible people including widows, laborers, and daily bets on Thursday afternoons gather at State High School No. 1 Peshawar City where the distribution point is regulated by the KP Government and receives Rs 12,000 per family under this landmark program. Beneficiaries who are aligned with a distance of six feet are given financial assistance under an online management system to ensure transparency and provide facilities for all who deserve it. A total of 3600 distribution points were set up at the KP including 13 in Peshawar to provide Rs12,000 under the PM Ehsas program. “I solemn with Prime Minister Khan for this huge aid package that will help overcome the financial problems of the poor segments of the community after the Coronavirus crisis on a large scale,” said Misal Khan, a retired information officer when talking to APP. He said thousands of daily bets, laborers and baby industry workers in the private sector had been affected by the Coronavirus situation and such timely packages needed time besides solving their financial problems. He expressed the hope that the KP Government would also provide Rs12,000 under the CM aid package for the poor and those who did not have it quickly. Around 2.2 million poor families were identified for this aid package in KhyberPakhtunkhwa. He advised poor people to visit money distribution points after receiving a confirmation message from 8271. Likewise former Nazim Bhadar Khan, Riaz Khan’s teacher, Asghar Afridi elders and others also welcomed the start of the distribution of Rs 12000 today and called it an important aid program in the prevailing coronavirus situation. They said Prime Minister Imran Khan had won the hearts and minds of poor people with this large package worth around Rs 144 billion for the country.
Floyd Mayweather Jr. said he would be “one of the best coaches in the world” and follow in his uncle’s footsteps.
Roger Mayweather, who coached Floyd Jr. for most of his career, had been ill for some time before him died in March following complications related to diabetes.
Mayweather Jr. posted a video on Instagram about him training his 14-year-old niece with a long description of his own coach.
“As you know, I have an extraordinary coach who includes my father and uncle. Because of my recent Uncle Roger departure, I feel inspired to help the people around me in the same way as when they were there to “during my boxing career,” he wrote.
“In a time where we have to distance ourselves from others, it has allowed me to reflect on how I want to make a difference in people’s lives and help them achieve their goals. A true coach wants the best from their fighters and pushes them to the best of their abilities.
“I want to leave an impression on the people around me and let them see their potential.
“I am new to training and so far I have worked with people who have no boxing experience, so we grew up together. But I promise, I will be one of the best coaches in the world.”
Roger Mayweather, an old Las Vegas resident from Grand Rapids, Michigan, was a boxed professional from 1981 to 1999 and won world titles as a light junior and junior welterweight. He faced many famous opponents during his 18-year career, including Julio Cesar Chavez Sr (twice), Pernell Whitaker, Kostya Tszyu, Livingstone Bramble, Rafael Pineda, Vinny Pazienza, Rocky Lockridge and Samuel Serrano.
“My uncle is one of the most important people in my life in and out of the ring. Roger is a great champion and one of the best coaches in boxing. Unfortunately, his health made him fail for several years and now he can finally rest in peace, “said Floyd Mayweather Jr. in a statement after his death.
“Roger means the world to me, my father Floyd Sr., my uncle Jeff, our entire family, everyone in and around the Mayweather Boxing Gym and the whole world of boxing. This is a terrible loss for all of us.”
Health officials say that there might be opportunities coronavirus citizens who are immunized throughout the world. These people were patients who had been infected with the virus, were cured, and now do not show strains of COVID-19 in their bodies. In Germany, for example, the study said that 15% of the country’s citizens are now immune to the deadly disease. How far away is the United States from this status?
Germany may have the highest level of COVID-19 immunity for citizens
Studies show Europe is now close to group immunity.
(Photo: AXEL SCHMIDT on Reuters) Coronavirus: Nearly 15% of Europeans are now immune to COVID-19; How far away is the US?
On Thursday, April 9, German scientists released a study claiming that Germany from Europe now has almost 15% of it COVID-19 immunized citizens. The study authors found that a small group of their community had antibodies that prevented the coronavirus from entering the immune system.
Professor Hendrik Streeck, a German virologist who led the research, began their research at the country’s outbreak center called Gangelt. With the help of the University of Bonn in Germany, Streeck tested 1,000 people from 400 households in Gangelt to find out antibodies.
Surprisingly, preliminary results showed two percent of them were still infected with the virus, while 14 percent showed antibodies against the virus. This means that the community now has almost 15 percent immunity from viruses – which seems to be the highest percentage of Coronavirus herd immunity in the world.
Scientists believe that this research might be too early to be certified to this day. However, if verified, Professor Gunther Hartmann – another professional who is part of this research – the word that “15 percent is not far from the 60 percent we need for herd immunity. With herd immunity 60 to 70%, the virus will completely disappear from the population. Then, parents are no longer at risk.”
How about in the US?
(Photo: BRENDAN MCDERMID on Reuters) Coronavirus: Nearly 15% of Europeans are now immune to COVID-19; How far away is the US?
In the U.S., an estimated total of 460,000 has been confirmed with this disease, and 16,000 deaths have been recorded since the first day of the spread of the corona virus in the country.
Based on Justin Lesser, an epidemiologist at Johns Hopkins University, “is a critical threshold for achieving that herd protection for COVID-19 is between 50% and 66%.” This means that for a country to have official herd immunity, more than half the population in the country must be immune to the virus.
Even though the risk is higher, Dr. Anthony Fauci, director of the National Institute of Allergy and Infectious Diseases, said that the US opportunity to have herd immunity still depends on whether the country will have a vaccine against the virus if it is absent, more difficult. to predict the application of herd immunity.
“In the end, the showstopper,” Fauci said, “Obviously it will become a vaccine.”
Other experts also support this claim.
“What’s really important is how you get immunity,” Dr. William Hanage, an epidemiologist at Harvard University. “And it’s impossible to get there without a lot of death.”
Families in Jordan Peele We and Bong Joon Ho Parasite. Neon Films and Universal Images
Observation Points is a semi-regular discussion of the main details in our culture.
Who do we become when greed, jealousy and the right to eat our lives, and our identity? In Jordan Peele We and Bong Joon Ho Parasite, both of which now flow in the Upper, the dark side of humanity explored in interesting ways when directors push their characters to extremes, acting in ways they never imagined they could. In these two films, opposites, visual metaphors and stairs determine the boundary between two worlds, layered one above the other.
In We, Peele sees how childhood trauma can have a deeper impact, which causes it to affect many generations, and enter Parasite– Written by Bong Joon Ho with Han Jin Won – the lives of three families are used to show how the needs of a capitalist society to encourage citizens to social class create the destruction of that society. At first glance, the two films may not be too similar. They are classified into different genres, exhibiting different aesthetics and created by the cast and crew whose experience manifests separate oceans. All of this is true, but if you look below the surface (the intended game entirely), the two films tell a very similar story.
Madison Curry as Young Adelaide Wilson in Australia We and Park So Dam as Kim Ki Jung in Parasite.Neon Films and Universal Images
Generational trauma in Indonesia We reflected in class struggle Parasite
When an Adelaide child (Madison Curry) enters the dark recess of a resting house in a carnival, where he encounters a literal mirror image, or “tethered” —like he and others who live in the underworld of the forgotten subway system . , is called. After this shocking meeting, Adelaide was initially more attractive and not too sociable, but as time went by she seemed to be returning to herself, having an ordinary life as a teenager and eventually creating a family as adults. However, in one night, the truth of what happened in the past was revealed. Adelaide is an adult (Lupita Nyong’o) who is proven to have a love relationship with her children, and her husband Gabe (Winston Duke), is not real Adelaide.
WeThe main conflict and plot revolves around tethered Addy known as Red, his family – tethered by Addy’s family – and others are tethered, rise up and carry out massive killings to claim the lives they believe have been stolen from them. Red wants revenge for the physical and mental pain he is forced to suffer. He wants to reclaim the future that could be his, if Addy does not limit him to live in the underworld.
Even though they might not have anything in common with Red and Addy, the characters Parasite, share a similar destiny.
When Ki Woo (Choi Woo Shik) starts working as a private teacher for the rich Park family, he sees it as an opportunity for his family to finally get their proverbial pie. Her younger sister Ki Jung (Park So Dam) becomes the young children’s art therapist, their mother Chung Sook (Chang Hyae Jin) takes over as a housemaid from Moon Gwang (Lee Jung Eun), and her father, Ki Taek (Sung Kang Ho)) be a driver.
Geun Se (Park Myung Hoon) and Gook Moon Gwang (Lee Jung Eun) briefly enjoying themselves in a house they could never have, in Parasite. Neon Films
Everything for Kims stopped suddenly when Ki Taek met Geun Se (Park Myung Hoon), a man who had lived in a hidden bunker at Park’s house for more than four years. In a metaphorical sense, Kims and Geun Se are tethered to the Park. Their existence depends on the virtues of the family, who, by their desires, can replace them as easily as their original employees. Geun Se is in his own way moored because he concentrates his entire being to show respect and gratitude to a man who doesn’t even know that he exists.
For Kim, they see the life that Park has as their life Should have. Why did they have to get stuck fighting in a damp, moldy semi-basement hut, when they could live in a large open space in the garden of a house designed by a famous architect? Even though Geun Se is his own character, what makes him interesting is that he doubles as Ki Taek’s alter ego.
At Geun Se, Ki Taek sees a man he no longer wants. A man who struggles to survive in the dark, where he is not important. Like Red and Addy, Geun Se is the person Ki Taek is most afraid of, because he expresses his deepest insecurities. When faced with how dependent on Mr. Park Geun Se has become, as if the switch has been reversed at Ki Taek, and he has become more determined to hold on to the double life he leads. Unfortunately, there are some things that go according to plan as the end of the two films.
The dual role of Lupita Nyong in We. Universal Image
Addy and Ki Taek’s actions throughout the film created a ripple effect that touched everyone in their lives, especially their children. The betrayal of Addy causes Red and his family to attack Addy, which in turn makes them commit violence to defend their lives. Yes, in the end they won, but at what cost? Their children Zora (Shahadi Wright Joseph) and Jason (Evan Alex) are forced to kill children and adults they know. They see their parents become cruel, and even though they may look fine in the end, no one knows what emotional and mental consequences will occur that night. In Ki Woo’s case, his inability to accept Ki Jung’s loss, Ki Taek’s disappearance and public opinion about what happened, has left him emotionally vulnerable where he cannot accept that no matter what he does, he can never go back to some beautiful day at Park’s house.
These families all change irrevocably. The actions of some people, even when they oppose oppressive social structures, have caused the destruction and chaos of many people.
Only one of the few action scenes along the stairs entered Parasite. Neon Films
The stairs turn the world upside down, and nothing is the same anymore
One of the many interesting aspects Parasite is how architecture plays an integral part of the story. The production design by Lee Ha Jun created sets that became his own character, especially in the use of stairs. Even though it sounds harmless, the stairs are used as visual and physical metaphors to show the character’s mental state, and the same applies to We.
Stairs – and more specifically escalators in We—And the dungeon shows the audience the descent taken by the character physically and mentally. In We, Adelaide youths plunge into a darker and deeper niche in the subway system that has been abandoned tethered. In Parasite it is a staircase that connects a luxurious residence, furnished and decorated luxuriously, to the cool bunker inhabited by Geun Se. In addition, a series of external stairs in Kim’s surroundings show how far they actually live from their hopes of wealth. It was under these stairs that their dreams began to be swept away in a flood of dirty and flooding rainwater.
In the depths of these two worlds the lives of the characters are reversed, and they are forced to face their darkest fears about themselves.
Addy finally comes face to face with Red, who reveals how much isolation he has had for years, and the trauma of losing his parents affects him. In the basement of the Park, Kims began to descend into violence. Former housemaid Park Moon Gwang was seriously injured when she was casually pushed down the stairs by a woman who took her position at home.
Darkness – darkly and literally through lighting and cinematography – seeping into these two specific locations reflects how far the character of each film has fallen. These people who for most of their lives believe that they are not capable of such extreme actions, seem to fall into them easily because of their social circumstances.
Terror is tethered in We. Universal Image
The struggle of people of color to change from Have Nots to the Have
As a family, Kims lives just above the poverty line in South Korea. They do what is called “menial” work, trying to make ends meet. Chung Sook’s boss is younger than him, but knowing he can’t risk losing his job, he shows respect and receives a salary deduction for an unsatisfactory job. The age difference plays a role in the exchange and especially the grating for Chung Sook because of the importance placed on seniority in Korean culture. Next, the supervisor spoke with Chung Sook at banmal– informal and familiar ways of speaking used in Korean – which highlight how low status is in society. None of this is explicitly spelled for English-speaking viewers, but it’s there. The Kims want to get out of this life, and the perfect opportunity is presented by their family friend Min (Park Seo Joon).
With their gradual infiltration from the Park household who deftly arranged by Ki Jung and Ki Woo, Kims seized their chance to finally improve their lot. Even though they can only serve in support positions in the home, they are still happy to be surrounded by the best that money can buy.
While Parasite clearly in the way it shows the evil of capitalism and the class structure, We criticize them in more subtle ways. With We, it’s Gabe’s father who is more concerned with maintaining appearance. He likes being able to say his family owns a vacation home. He competed with their white friends, showing insecurity about his financial status, by buying a boat he didn’t need and his family didn’t want. He encouraged his daughter Zora to pursue the road to the Olympics as a runner. (Peele might nod to racial stereotypes maybe?) Like Kims, Gabe always shows the things he wants from his family, expressing the underlying envy.
Both families are concerned with meeting or exceeding community expectations which keeps deprived people low, even when it tells them to do whatever it takes to succeed with the conditions of society. Capitalism continues to tell people of color to keep grabbing the brass ring, while holding it out of reach. And when the ring is truly affordable, capitalism makes it appear as though aid has been given reluctantly, rather than success achieved through one’s will and hard work.
Ki Taek (Song Kang Ho) takes Choi Yeon Gyo (Cho Yeo Jeong), the mother of the Park family. Neon Films
The echoes of these themes are played during the award season
In this case it should be noted that life imitates art during the 2019-2020 award season, when Parasite won four Oscars at the 2020 Academy Awards, including Best Film and Best International Language Film. For many people, it seems like this award is validation for South Korean cinema – and films made by people of color in general. But what is it? America is often considered the center of the cinematic world. Filmmakers are encouraged to succeed there, because accepting Hollywood means that creative people have “succeeded” – which is ironic when so many films are arrested because the peak of American / Western films is influenced by South Korea and other international films.
It cannot be ignored Parasite and the director was awarded, the actor who gave a film show that depended on not being nominated. Lupita Nyong’o, who gave a brilliant and objective appearance as Red and Adelaide, was not nominated We, despite getting other awards after the film’s release. Actually, Nyong’o and the cast Parasite only awarded acting nominations and awards at smaller American ceremonies such as African-American Film Critics Association Award and international in The 28th Buil Film Award where the Best Supporting Actor went to Park Myung Hoon and Lee Jung Eun won the Best Supporting Actress.
Whether it’s fictitious or not, the world can sometimes and will demand more than we think we are ready to give. To feel like we are, we are made to feel as though we cannot be who we really are. We must look at others to determine what is important and valuable, and in turn we are made to feel guilty for not measuring. Parasite and We both are bound by the idea that society will exploit us for our hard work and, at the same time, condemn us as the most parasitic leeches in society. But as these two films show, while there is inherently nothing wrong with wanting better for ourselves and our families, we need to be careful how we do it, lest we end further down than we started.
Despite growing lust for sustainable clothing, new report have found that we still buy too much to slow down the environmental impact of fashion.
Cheap factories, frequent purchases, and short-lived goods are all factors that contribute to the 92 million tons of waste created by industry every year. But it is not only waste that threatens the planet. The way our clothes are made also uses trillions of tons of water, lots of hazardous chemicals, and emits more than 1.7 billion tons of CO2.
The expert team has published a paper in an online journal Reviews of Earth’s Nature and Environment who see how this impact affects our planet. In the past 20 years, the number of clothes produced by fashion brands has doubled. Fast-moving trends that rely on low prices and novelty force consumers to buy more than they need, creating artificial demand for more clothing. This paper explains that this large amount of unnecessary production needs to be stopped for a slower approach to fashion.
Most environmental pollution occurs in countries such as Bangladesh, Cambodia and Indonesia where textiles and clothing are made. While many clothes are made in Global South, the headquarters of many brands are in the EU or the United States. The break up of the relationship between where an item was designed and where it was made greatly increases the likelihood of mistakes being made, which also contributes to the waste problem.
Consumers need to change their habits if environmental problems are addressed. In the US, the average person now buys new clothes every five and a half days evidence from England shows that we wear our clothes for far less time before we throw them away than before.
“In the end, the long-term stability of the fashion industry depends on the total neglect of the fast fashion model, associated with a decrease in overproduction and excessive consumption,” the newspaper said.
What we can do?
“From the consumer side, the most important thing is to slow down consumption; buy less, use longer (extend the life), take good care of your clothes, wash less, and invest in better quality and more classic clothing, “said Kirsi Niinimäki, Associate Professor of Design at Aalto University, Finland . Likewise, the report’s co-authors suggest trying to invest in more sustainable recycled materials and look for brands that make clothing locally.
The ultimate goal is for businesses to shift to more circular business models, which bring back material for reuse. This will get the most value from the resources used and stop the amount of waste generated. Meanwhile, “there are examples of good repair services, made to measure services, rental / rental services, crowdsourcing to support local production,” Niinimäki explained adding that businesses must be creative by managing environmental damage.