These are some of the biggest changes that happened to Avatar: The Last Airbender during the development of the series.
Avatar: The Last Airbender is one of the most impressive and impressive animation shows in the 21st century, but like every show ever released, not every great idea emerges fully. In fact, many of the main characters of the show experienced some drastic changes during development.
This is all the way Avatar: The Last Airbender radically different during the development and production of the series.
Sokka is the planner for Team Avatar, using his weapons skills, inventive nature and strategic expertise to make up for his lack of flexural strength. Based on Avatar: The Last Airbender – The Art of the Animated Series, Sokka was originally conceived as 13 years old, and was the same age as Katara. This will give the couple some kind of sibling rivalry during their trip instead of making Sokka more protective of his younger sister. However, finally, Sokka was 16 years old. Initially he was also created as a more serious figure, but the appearance of voice actor Jack DeSena gave Sokka a greater sense of personality and comedy relief that was enjoyed by the creators.
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Fire Princess Lord Ozai and Zuko’s younger sister, Azula are considered the wonders of Firebending by the majority of the world. She also proved to be a vengeful and cruel young woman, attacking the people around her when she did not get what she wanted. However, he was almost forcibly bound to others. During the interview with AvatarSpirit.net, Michael Dante DiMartino and Bryan Konietzko revealed that, in their heads, the Fire Nation still practiced the idea of arranged marriages – and one idea for the third season was to get Azula forced into such an engagement. The idea was eventually canceled, although the idea of Azula trying to experiment with romance did occur during the party in the third season episode, “The Beach.”
Iroh is one of the most liked characters in the series. Gentle-hearted Mr. Firebending and Zuko’s uncle, Iroh is a calming element in the prince’s naughty life. He quickly established himself as a gentle and empathetic person – with more than enough power to take down anyone who was stupid enough to threaten him or an innocent person. However, the character was originally intended to be a more serious figure, similar to Sokka. The remnants of this characterization can be seen in early episodes during his training with Zuko, but his friendlier side becomes more common as the series continues. There are even considerations given to dig deeper into the background of the character, which in the end is more a mystery.
Introduced during the second season of the series, Toph quickly became an important player in the show. Even though he is blind, the brazen and talented Earthbender uses his disability to his advantage, being a fighter so precise that he even creating a metalbending style. Toph underwent a number of changes during development, including the first imagined as a 16-year-old boy who could be an antidote for Sokka and Aang’s romantic rival to Katara’s attention.
However, when the main series writer Aaron Ehasz proposed the idea of a little girl who was capable enough to bring down an entire muscular Earthbender force on his own, the seeds of the shape of Toph were finally introduced. Co-creator Bryan Konietzko even initially rejected this idea but began to like Toph. The original design for Toph still made its way to the franchise: the Earthbender design in the opening credits was modeled after Toph’s original appearance; the actor who played Toph during the show featured in “The Fire Ember Island Players” resembled the original look, and the concept ultimately impacted Bolin’s appearance in the sequel series, The Legend of Korra.
Although the series was originally built as a three-season arc, there is, at least at one point, consideration given to making fourth season from Avatar: The Last Airbender. Ehasz revealed some details of the proposed season for this Den from the Geek: This season will largely focus on Zuko’s efforts to rehabilitate Azula and help him find peace while the wider world will adjust to the fall of the Fire Nation and what it means to advance to the other three countries.
This season will also focus on Aang who has to compete with the darkness he absorbs from Ozai – potentially creating a kind of internal conflict and self-loathing; a theme that will become prevalent in the finals of future animated series like Steven Universe: Future. The fourth season never happened, because the show’s creators turned their attention to helping produce live-action 2010 The last air controller film.
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