Tag Archives: Bergdorf Goodman

The majority Go Digital While Others Display Directly And Without Masks | Instant News

The show must continue. Only this time, digitally. Traditionally held in June, the spring and female men’s collections in Paris and Milan have just been wrapped up on Friday. The Coronavirus pandemic has stalled many mode wheels because the source, production and distribution have been stuck for nearly three months. But the fashion capital of France and especially those hard hit tried to move forward. A contingency performance week in a digital context is launched with cities reversing the order in which they appear. In many ways, this format works while others fail to compare it to the real deal and miss an important sign.

Digital Experiments

Bergdorf Goodman and Men’s Fashion Director Neiman Marcus Bruce Pask were not polite. “The magic and inspiration given by fashion shows in person is very difficult to digitally emulate,” he added. “There is great value to feel the energy and excitement in the room.”

Roopal Patel, Director of Fashion at Saks, agreed that no one could imitate seeing a performance in person but noticed that the creativity of the designer “shines through the obstacles faced by the pandemic.” One thing he noticed remained the same was the presence of the industry on Instagram. “The hype on social media hasn’t changed!”

Alex Badia, Style Director for women’s clothing, men’s clothing and accessories for WWD fashion trade publications felt the digital event left a historic marker. He noted some exhibiting clothing while others exhibiting ideas behind them, but nothing beats physical performances similar to watching sports or live music. “Not being able to experience collections with the five senses makes the experience lower.” adding “not every brand needs a live show,” something that can show the future of fashion. “I’ve learned what made effective fashion videos the last few weeks.”

Either in person or online, one thing stays true to traditional fashion shows because some are more prominent than others. Three fashion professionals quote this spotlight:

  • The last performance of Miuccia Prada, which was designed specifically for the namesake house, was ripe with minimalism of the 90s and a series of free art house films to accompany the collection.
  • JW Anderson’s “Show-in-a-Box” for Loewe, who sent viewers a choice of kits with tactile elements from live performances such as swatches of cloth, cardboard sets, and even recording functions that play performance music.
  • Kim Jones for Dior Homme, who collaborated with Ghanaian artist Amoako Boafo.
  • Rick Owens is a voyeuristic and intimate photo shoot with Tyrone Dylan Susman’s house model.

Lost Trends

Only a few can deny the power of fashion to inspire and influence change, be it mood or behavior. Beyond trends such as paired collections, minimalist 90s and retro-campy leisurewear, this 25-year industry professional plus pays attention to one big missed opportunity for fashion in strengthening trends; mask.

Among digital shows and some outliers who choose direct viewers – masks that fashion has the power to make the coolest, must-have, must-have accessories – there’s almost nothing. When they appear, the crew or the audience just wears it. During Gucci’s 12 hour live streaming video, makeup artists, photographers, cobblers wore masks and often gloves while the models did not wear them. Most of the audience members in Alfresco, the front row Dolce and Gabbana, Jacquemus and Etro who are socially friendly keep them away, but the model goes without them. So far, experts seem to agree that outside transmissions are not possible, but videos like Hermes show the team and talent are all working mask-free inside their headquarters in Paris.

But inside or outside the room is not the point. One of the most important effects of this digital fashion show week was to signal that wearing a mask was cool, and even fashionable. The lack of a mask displayed might make the rest of the more than 10,000 fashion industry players happy to witness the celebration in the comfort and safety of home.

Fight Fatigue

Recent pandemics have forced modes to check for their own mistakes. During this time, the industry fought for resets in the manic show cycle and endless buying periods that caused both literal and figurative exhaustion. The endless journey associated with the circuit is true exhaustion, but surprisingly some people miss it.

Pask said he missed the curiosity and exploration generated by the trip. He found the search “seek and search to bring the best, most interesting, wise pieces to our customers who are smart and appreciate and meet new people is very valuable.”

Badia missed seeing other industry professionals she had known for the past 18 years covering the show “, because she found” nurturing and inspiring “and was similar to reconnecting with old school friends.

Patel, on the other hand, hasn’t missed a trip this season. “The virtual format has truly been a welcome welcome,” he said, adding the fast-paced nature of back-to-back shows, meetings and appointments has obscured fashion, which is the main point. He admitted losing “seeing clothes in person and having a personal conversation with the designer.”

Whatever the consensus on the journey, all agreed that the live performance had left the seminal moments engraved in their souls. Namely Virgil Abloh’s debut for Louis Vuitton and Kim Jones’s debut for Dior Homme in the same season, the Raf Simons and Jil Sander performances during Pitti Uomo, the parade of Prada actors such as Gary Oldman, Tim Roth, William Defoe, and Adrien Brody grandly inspired clothing or transformative skinny silhouette of 2002 Hedi Slimane for Dior Homme. These experiences help create magic to encourage customers to buy the fantasy offered.

The Quest for Shoppers

Right now, this is the biggest puzzle of fashion. Inspire and motivate clients to shop for clothing again when all signs show a lifestyle at home to continue. “At Saks, we are reviewing how fashion is translated into the daily lives of our customers as a result of a pandemic to inform how to better engage with them,” Patel noted, “people still want real mode in real-time.”

Badia WWD doesn’t think that consumers focus on fashion, but their interest is captured through expertise. “Impulsive purchases go out the window,” he said, stressing investment and escaping as a motivating factor. “My apartment has become an office, a gym, a night restaurant, a spa, and sometimes, discos are quite empty. I don’t want to wear the same shorts and T-shirts for all that anymore.”


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How New York Retailers – From Bergdorf’s To Bloomingdales | Instant News

Autumn 2020 is designed to be a season of metal cloth and rhinestone shoes. But COVID-19 has changed the whole world of fashion. Retailers all over the world suddenly closed their stores and the designers canceled runway shows. When quarantine restrictions were lifted, upper-class Manhattan retailers have begun to open their doors and welcome returning buyers and clients, even though the returns are far from normal.

A number of designers have turned to the internet to present their upcoming collections. However, some of the most famous names in the fashion world, such as Dior, Gucci, Saint Laurent, have leaving their traditional calendar autumn and winter and only look forward to 2021.

Many high-end Manhattan retailers have reopened, at least in some capacity, but they remain tight-lipped about store performance and current inventory offerings. Customer and employee safety has become paramount in designer clothing. The current health crisis and the demand for fashion products have not proven to be the best business equation.

This year’s situation is very different from the Great Recession of 2008 to 2009. Despite the financial world collapse and the retail section suffered double digit sales decline, community events are not canceled. The world is not limited to its home.

In late June 2020, retailers from Lexington Avenue to Herald Square reopened their stores and implemented trading patterns determined by the CDC and city health guidelines. Some of these businesses remain closed to public search and have sought ways to meet customer needs.

One of the typical New York fashion retailers for a while remained closed by pedestrian traffic. Bergdorf Goodman, the iconic Fifth Avenue department store, reopened on June 24 only for personal appointments. Bergdorf’s has launched several service options, such as roadside pickup, same-day delivery in Manhattan and free same-day service to Hamptons.

Kim Choroco, Head of Marketing and Communication at Bergdorf Goodman said that they are willing to serve their clients “wherever and however they want to shop and engage with us. Our partners will also continue to connect with our clients virtually to provide channelless sales throughout the digital and physical environment. “Retailers do not have a reopening date for the general public.

Bloomingdales reopened the Lexington Avenue and Soho locations to in-store shoppers on June 22. High-end department stores emphasize various safety measures that meet or exceed the CDC protocol. Bloomingdales offers contact-free pick-up from the road and “shop with an appointment service.” Shop colleagues are subject to a mandatory daily health check and face mask.

Unlike other fashion retailers, Bloomingdales offers a full line of standard department store offers. A company spokeswoman recently stated that as a public company, stores cannot comment on sales or store traffic. But the retailer reported that the home and luxury skin care department “continues to perform well.”

The situation at the Hudson Yards Neiman Marcus store is somewhat different. Correspondents say that the company, in a bankruptcy upheaval, will not reopen the Manhattan location, which is already a year old. “Any discussion regarding landlords is confidential,” said Amber Seikaly, Vice President of Corporate Communications. Regardless of the report, Hudson Yards shop Neiman Marcus currently offers roadside pickup. The Neiman Marcus Group also operates the Bergdorf Goodman store.

“At present, more than 90 percent [Neiman Marcus] the fleet of shops is open to a certain level – either curbside pickup, private agreements, or full shopping, or a combination of these. All of our stores are scheduled to reopen in the coming weeks because local and state mandates allow and because we feel safe to do so, “Seikaly said. The legendary downtown Dallas also remains closed but, like the Hudson Yards location, offers curbside pickup.

The long-awaited Nordstrom in Manhattan only opened for four months before the pandemic closed its new location. The seven-storey store is designed to rejuvenate Manhattan’s retail landscape and its seven restaurants turn Manhattan Nordstrom into a shopping, culinary and social destination.

But closing COVID-19 stopped the atmosphere of Nordstrom’s celebrations. The mainstay location of Manhattan has recently reopened its doors and touts its security measures such as health checks, face masks for employees and customers, restrictions on high-touch services, and removal of in-store events. Seven in-store restaurants, the signature component for store identity, are only open for take-out orders.

Nordstrom stated that its popular anniversary sales will continue on schedule for mid-August. John Bailey, Nordstrom’s Senior Manager, Brand PR, ensures that sales will feature new merchandise from some of the most popular brands.

Saks Fifth Avenue, which is located opposite the Rockefeller Center, was reopened for business on June 24. The Fifth Avenue location mandates facial masks, limited elevator occupancy limits, and frequent escalator handrails. cleaned with ultraviolet light.

The return of Saks, especially in relation to high profile locations, helped bring a sense of normalcy back to New York. The store signature display window displays the words “NYC. WELCOME BACK: WE MISSED YOU “in capital letters.

LVMH, a Paris-based fashion company and owner of several brands from Louis Vuitton to Dior, Givenchy and Fendi, operates many boutiques in New York City and around the world. A company spokesman reported that his sales representative “did not lose contact with our customers during confinement.” LVMH also assures its clients, “regarding the upcoming holiday season, we will have the inventory needed to satisfy all our customers.”

Despite closing the Fifth Avenue flagship in early January 2019, Lord & Taylor maintained its presence on the outskirts of New York and in many cities on the East Coast. But stores have struggled to gain a financial footing since ownership changed last November.

Lord & Taylor reports that “generally pleased with the response of our community and loyal customers so far; especially in our community-based stores and the doors of our main malls along the northeast. “The retailer, which is operated by the Le Tote clothing rental company, stated that in initial observation” customers shopped for a specific purpose. ” Lord & Taylor also said that a significant percentage of 38 stores remained closed without the company reopening date.

It is not clear where the leading fashion retail direction is. Even though they are back in business, most retailers experience low traffic on their sales floor. Sales of designer clothing are driven by personal service and special equipment. Roadside pickup service is not glamorous.

When cultural institutions have announced their closure and cancellation until the end of 2020, there was little or no event posted on the New York terraced community calendar. There may be little demand for fashion purchases in the future, especially as designers hold back their collections. High-end fashion is not designed for home use.


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London Fashion Label 16Arlington Brings Luxury, Luxury And Fetish Attention With Their Latest Collections | Instant News

Marco Capaldo and Kikka Cavenati are the duos behind the London-based fashion label, 16Arlington.

Founded in 2017, their brand exudes glamor, real charm. I mean the glamorous type of Jean Harlow that you associate with Hollywood young stars, but there is a cool London.

There are feathers, there are sequins, silk, leather, and crystals. What more do you want? And this killer silhouette adorns including hugging figures for mini halterneck and one shoulder midis. This is the best maximalism.

Brought to date, there are more important, pay closer attention and there is a collective harmony is disharmony – femininity and masculinity (see special blazers), minimalist and maximum, made sexiness and style without effort. Also not PG, besides that there is also a bit of mixed fetish. Hot.

And the appeal is real, so much so that they get their own Hollywooder, Lena Dunham to walk on their 2020 Spring / Summer catwalks at London Fashion Week (that was Dunham’s debut appearance as a runway model). Also seen they pocketed prominent stockists from Bergdorf Goodman and Kirna Zabete to Selfridges, Moda Operandi, Luisa through Rome and Lane Crawford all eager to follow their alluring lines. So I guess what needs to be done is to add a red carpet.

Felicity Carter: What was your first memory of fashion or style?

We always talk about how we are both very fashion conscious thanks to our mother.

Even though none of them work directly in fashion, they always have a high interest and interest in clothing. We often find ourselves referring to old photo albums and asking them to dig up old pieces that we found in them.

Kikka: My mother used to be a model in her 20s and was often paid for clothes. He will choose unusual special pieces that he normally doesn’t buy so I remember playing with these pieces often. Growing up, I always wanted him to have high heels, but he always liked to sew and very masculine footwear, so I would arrange these beautiful dresses with male lace and big blazer. That real contrast is something that I still applied when designing.

FC: How, when, why did you enter the industry?

We both studied women’s clothing at the University where we met. I think that is the first real formal introduction to this industry. After the collection of our graduates, we built some beautiful relationships with stylists, we both did internships for different design houses but really felt the urge to work together something together that is when we started working at 16Arlington.

Through our stylist being introduced to Lauren Santo Domingo, he put on one of our works which made Moda one of our first stockists.

FC: How do you summarize aesthetics?

Marco and I have real love and appreciation for all the beautiful things. I think that is the starting point of our true aesthetic is to create something beautiful and empowering. 16Arlington is a balance of two extremes, masculinity versus femininity, minimalism versus maximalism, a combination of our British / Italian heritage that creates this beautiful alignment when put in a container of excessive glamorous sexy Italian glamor and a relaxed and cool London and a casual touch of amulets.

FC: What is luxury for you?

For us, luxury is something that is formed in an object of desire. Something that makes your heart beat fast and makes you stop, observe, admire, and enjoy its beauty.

FC: Who are your customers?

We have never identified our customers with any limitations. We do not place age groups or jobs with our clients. For us, she is a woman who uses clothes to strengthen the beauty that is already there. We are truly fortunate to be able to work with a variety of inspirational women since starting a brand that we feel represents our customers. They are all very different and unique but all have something in common so they change the world in a positive way, making it a far more beautiful place.

FC: What do you each bring to the brand?

At the beginning of the trip I thought that we both bought something quite individually aesthetically for each collection but after working with each other and now in our fifth season our aesthetics have really been synchronized and worked in parallel which we don’t need to pay attention to who brings ideas or details specific to the table. I think the real thing that still exists is the eyes of men and women, Kikka is well aware of how women feel in the clothes we make. Marco has a tendency to push the thigh cleavage a little too high.

FC: What is the foundation of your company?

Being a young brand, we have always been very involved in every aspect of the company from the start, which made us learn a lot because the reality of brand building is that there is far more to it than just designing a collection every season. We always take a very direct approach and are still involved in every small aspect of the brand which certainly has weaknesses but also allows us to be very aware of how the brand works and develops. This combined with a very small dedicated team allowed us to get to this point. One of our greatest blessings is to think of one another to continually form rational decisions based on two opinions rather than one and that something both of which is very present both in business, everyday running the brand, and finally the collection itself.

FC: Which was the first time you designed it and how did it happen?

That’s a very difficult question, we made this fur coat very early and it was really about playing with the basic proportions of the coat. We created a large cocoon like this shaped coat to make you look like a pin falling into a fur ball. Another truly impressive creation is the performance we created for Jourdan Dunn and Edie Campbell for the 2018 British fashion award. These two performances are very different but truly represent extreme balance. Jourdan was wearing a strapless transparent lace sequin dress adorned with feathers that had a three-meter long train and Edie was wearing a suit that was completely polished in a limping icy blue with an oversized masculine satin collar.

FC: What’s on your mood board right now?

Nowadays it is quite difficult to channel creative inspiration when surrounded by such sadness but there are times where inspiration kicks in and creates pauses and also acts as a small form of escape. The atmosphere and ideas change quite quickly now and the adjustment from working under extreme pressure and tight deadlines to having more time to develop is something that you think will only benefit the process but in reality adjustments and uncertainties occupy many things. time.

FC: Tell me about the process from sketch to production …

The process from sketch to production is very interesting because each garment is made in a different way. Sometimes there is a very clear visual idea that we detail very deeply in sketches on paper and at other times it is something that comes alive attached to the body. Sometimes something made in a certain direction changes into something when the force inspires to go in a new direction. The process of developing a collection really is something that changes until the morning of the show. After the collection is displayed, it will be sold and seen by our stockists. We often develop exclusive works with our buyers and from our sales campaigns we really begin to understand how collections will be translated commercially. After the sale, we really spent a lot of time aligning clothes in production. Here we tweak the waist circumference bottom keyhole hemlines etc. Many things work well editorially or in show format when you create fantasy but don’t have to be translated into the real world. It is important to us that we keep our clothes as close to the dream as possible, but to make sure women can feel and feel great about wearing them.

FC: How would you like to see your label develop?

We are very fortunate to work with extraordinary stockists around the world and we look forward to continuing to develop our distribution in a very organic way. For us the goal is never to redistribute the collection, but to make it very special and available in a very beautiful space. We want to continue to build long-standing relationships with all our retail partners. We recently launched an exclusive bag collection with Net-a-Porter and we hope to explore more categories in the future as the brand develops into what we hope will become global.

Buy labels on their labels website and in leading stores globally.


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Need some fancy style? Meet Couture’s Fashion Designers, Huishan Zhang | Instant News

Chinese-born, designer based in London, Huishan Zhang will come to his 10th birthday in the fashion business and he accomplishes many things today.

He studied at London Central Saint Martins and after serving Dior Paris in the third year (he was chosen by Delphine Arnault no less), he started his namesake label at 2011. He is greatly influenced by his national identity and geographic location, so expect East-West romance to meet and not to mention, luxury.

Aesthetically has a global appeal, and this allows him to mark most of his work list. Top stockist (Bergdorf Goodman, Selfridges, Joyce, Harvey Nichols, Moda Operandi) check, celebrity fans (Gwyneth Paltrow, Felicity Jones, Naomi Campbell, Gigi Hadid, Saorise Ronan) check, and then there are awards (Elle China Designer of the Year, LVMH Prize finalist and recipient of BFC Fashion Trust) checks.

And there’s more, because the V&A Museum includes its ‘Dragon Gown’ couture in the T.T Gallery. Tsui, made him the first Chinese contemporary fashion designer to receive this honor. With all this under his belt yYou would think there isn’t much more on the to-do list, but as Zhang said, he felt like he was just getting started.

Felicity Carter: What is your first memory of fashion?

Huishan Zhang: That was the first time I opened a fashion magazine in China when I was in middle school. I am very fascinated by the world of fashion and have the ability to take me to far away places and let my imagination run wild.

FC: What inspired you to study fashion, and why is it Central Saint Martins?

HZ: I am interested in the multicultural nature of London and Central Saint Martins is my first choice to learn to follow in the footsteps of my fashion design icons.

FC: How do you summarize the aesthetics, and marriage between east and west?

HZ: Traditional meets modern life.

What is luxury for you?

Beautifully considered and manufactured products that stand the test of time in quality and aesthetics.

FC: Who are your customers?

HZ: Our customer base is very varied and covers many ages and nationalities. I would say that he is cultured and travels well.

FC: What is the foundation of your brand?

HZ: Quality, Luxury Ready to Use with varied international couture and demographic techniques.

FC: Which was the first time you designed it and how did it happen?

HZ: meIt is a traditional Chinese cheongsam that I am still inspired by. My debut collection is an extension of this cheongsam and a work is displayed in the permanent gallery at V&A.

FC: What’s on your mood board right now?

HZ: Many new things and developments from our pillar fabric. I have fun with this collection. It makes me think of the better times we have.

FC: You stocked up at leading stores globally – which was the first stockist to pick you up?

HZ: The first store is Browns in London. Mrs. B actually came to my apartment to buy a collection directly and I still remember the excitement of that day.

FC: You’ve accomplished a lot in your 10 years, what else is on your to-do list?

HZ: I sometimes feel like I’m just starting!

I would love to have a mainstay in China because my heart is always divided between the United Kingdom where I study and live half the time, where I own my flagship store and have a part of my team and China, where I grew up, owned my shop and was surrounded by family .

We continue to add things to our company list of things to do, so there will be interesting things in the brand shop!

See more about huishanzhang.com.


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