Tag Archives: Natural Fabric (TRBC level 5)

Doesn’t fit into the new era? The fate of formal fashion hangs by a thread | Instant News

MILAN / SYDNEY / LONDON (Reuters) – Italian luxury designer Brunello Cucinelli makes men’s suits that sell for up to 7,000 euros ($ 8,200). But even he – like most people around the world – hasn’t worn a suit for months, let alone bought one.

Cravats and bow ties are displayed for sale at Dege & Skinner tailors on Savile Row, amidst the coronavirus disease (COVID-19) outbreak, in London, England October 7, 2020. REUTERS / Hannah McKay

“We are all locked up at home, so this is the first jacket I have worn since March,” Cucinelli told Reuters in Milan as he presented his new collection in September, wearing a light gray blazer.

Most people in “white collar” jobs work from home, with a newfound love for sweatpants, a trend some experts hope to outlast the pandemic. And few, if any, weddings or parties are taking place.

This seismic shift in behavior has had a profound impact across the supply chain for suits and formal wear, boosting a fashion sector that spans every continent.

In Australia, the world’s largest producer of merino wool, prices plummeted, reaching their lowest point in a decade. Many sheep breeders are in trouble, keeping wool in every pen that is available in hopes of recovering it.

In northern Italy, wool mills that buy from farmers and weave cloth for high-end suits have seen their own orders from retailers take a dip.

In the United States and Europe, several retail chains specializing in business apparel such as Men’s Wearhouse, Brooks Brothers, and TM Lewin have closed stores or filed for bankruptcy over the past few months, and many more could follow.

Players at all levels have told Reuters they are being forced to adapt to survive, from farmers turning to other forms of agriculture to factories making more elastic fabrics to new types of clothing that wrinkle less and are more resistant to stains.

“People want to be more comfortable and less inclined to wear formal suits,” said Silvio Botto Poala, managing director of Lanificio Botto Giuseppe, a wool factory at the textile center Biella Italia that counts Armani, Max Mara, Ralph Lauren and Hermes among its customers.

“With Zoom conferences and smart work, you will see men wearing shirts, maybe even ties, but not many suits.”


The price of fine wool in Australia has more than halved during a turbulent 18-month period, as the usual healthy purchases of merino wool from Italian factories have almost stalled.

The benchmark price for merino wool fell to A $ 8.58 ($ 6.1) per kg in early September, auction results show, down from A $ 20.16 in early 2019. Since then, some have recovered to over A $ 10 .

Andrew Blanch, managing director of New England Wool in New South Wales, which sucks wool from farms for Italian textile makers, said many buyers now have excess supplies.

“They all have wool that needs to be thrown away before they even get back on the market here,” said Blanch, speaking by phone from a wool auction in Sydney’s western suburbs.

“If the shop doesn’t open, everyone just retreats. Many orders we buy from wool have recently been canceled by their clients in the US and throughout Europe. “

He said China, which along with Italy buys most of Australia’s annual wool exports for more than A $ 3 billion, is now “the only exhibition in town” although Chinese buyers are also getting less wool.

Many merino sheep breeders store their wool in sheds or storage facilities; although some people who are still emerging from a three-year drought sell their balances to weak markets in order to survive financially.

“Not everyone is big enough to hold their wool clips and wait for the prices to change,” said Dave Young, a farmer near the town of Yass in New South Wales. “We are in a position where we have to fill the market in a relatively short time after the price reduction.”

Young, who has about 4,500 sheep on his property, said he had refocused some operations to provide lamb.


The food chain is surging into northern Italy, and Botto Poala estimates his factory sales are down 25% from 63 million euros last year and they will take 2-3 years to recover.

However the business is isolated to some degree because most of it makes women’s clothing fabrics; others are more pessimistic.

“For some businesses, we are talking about a 50% -80% drop in sales,” said Ettore Piacenza, general manager of the Fratelli Piacenza wool factory, a centuries-old family business with an annual turnover of 52 million euros. He also heads the wool mill department of a local business association.

Botto Poala says more than 50% of his mill’s turnover now comes from wool which has been made more elastic by tilling it or adding lycra to it.

This is because whatever demand remains for a suit, it is more likely for fabrics that are more stain resistant and less wrinkled, while such fabrics can also be used for casual wear, the wool mill said.

Italian luxury label Etro, for example, recently launched a “24 hour jacket” made of jersey and combining wool and cotton.


The gradual movement towards casual clothing has been taking place over the years. In 2019, even Goldman Sachs – a bastion of custom-made suits – relaxed the dress code for its staff. Not to mention the rise of Silicon Valley’s hipsters.

But COVID has stepped up that change – increasing sales of comfortable and sportswear at the expense of business wear.

In the second quarter of this year, when much of the world was locked in, Nike became the hottest brand according to Lyst, a global fashion search platform that analyzes the behavior of more than nine million online shoppers every month.

This is the first time since the Lyst Index began that a luxury fashion brand has not occupied the top position.

Gap’s Athleta unit, which sells tights, jogging pants, sweaters and tracksuits, was the best performing fashion line in the three months to August 1. Sales were up 6%, compared to a 52% drop at Banana Republic, which is known for its more stylish outfits.

Clothing was ranked among the items with the highest discounts and lowest sales in France, Italy and Germany in September, according to data compiled by StyleSage, which combs prices on websites.

Cheaper labels for mid-market including Asos, Topman, Guess and Hugo Boss had the sharpest price drops, up to 50%.

Falling demand for office clothing led to a multistory of US retailers, also including Jos. A. Bank and J. Crew, filed for bankruptcy during the summer and more retailers face an uncertain future.

Retail consultancy Coresight Research estimates that 20,000 to 25,000 US stores could close by the end of the year, compared with around 9,800 in 2019.

“I admit I haven’t bought office clothes this year. “I can tell you the fact that walking around the City, there are very few lawsuits on display,” said James Whitaker, a partner at the law firm Mayer Brown in London.

Indeed business has been “very slow” even since the late closure of the company for Jasper Littman, a tailor trained on Savile Row, a famous London street for tailoring for men.

Littman said his clients, mostly lawyers and bankers, “sit at home in pajamas”.

She usually makes about 200 outfits a year, but has only made 63 so far in 2020.

Customers are reluctant to take the risk of taking the train to pick up even a suit that has been made with the deposit paid.

“There’s no point in them doing that, because they’ll be getting a coat they can’t wear.”

Reporting by Silvia Aloisi in Milan, Jonathan Barrett in Sydney and Martinne Geller in London; Additional reporting by Jill Gralow, Carolyn Cohn and Aleksandra Michalska; Edited by Pravin Char


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FEATURES-Polyester from pollution? The next generation of fashion turned green | Instant News

ROME, Oct 14 (Thomson Reuters Foundation) – From using custom-made, biodegradable fabrics and photosynthetic ‘live’ clothing to polyester made from planet-warming carbon dioxide, European startups are on their way to transform one the world’s most polluting industry: fashion.

These businesses are responsible for 10% of global carbon emissions, more than all international flights and ocean shipments combined during the pre-pandemic period, said the United Nations Environment Program (UNEP).

Most of fashion’s emissions – up to 40% – come from making polyester, the most widely used fabric, says Benoit Illy, co-founder and CEO of French start-up Fairbrics.

“If we can bring emissions from polyester down to zero or a negative value, we can significantly reduce industrial emissions,” he said in a telephone interview.

Illy and co-founder of Tawfiq Nasr Allah, both chemists, aim to replace the existing polyester production process, which uses fossil fuels, with their new technology.

It uses electricity and a catalyst to convert carbon dioxide – emitted when fossil fuels are burned and a key driver of climate change – into synthetic fiber, Illy said.

In some ways, the process is similar to a tree capturing carbon dioxide from the atmosphere and using sunlight and natural enzymes to produce fiber, he said.

Early next year, Fairbrics – its name refers to a “fairer” way of producing fabrics – hopes to produce one kilogram of polyester yarn a day, he said.

The company’s goal is to pursue an industrial scale by early 2024, he said.

The room for improvement is clear: The fashion industry currently consumes more than 60 million tonnes of polyester a year, says Illy.


Under pressure from increasingly environmentally conscious shoppers, brands from luxury fashion houses to street names are also taking steps to reduce waste.

This month, H&M, the world’s second-largest fashion retailer, said it will showcase a recycling machine that can turn old jumpers into new sweaters or scarves on-site at a store in Stockholm.

Every second, textiles worth of garbage trucks are hoarded or burned, a costly waste of resources, according to a foundation founded by retired British screen star Ellen MacArthur.

However, if Aniela Hoitink, founder of the Dutch company MycoTEX, had its way, people’s wardrobes would adopt a more biological life cycle, with clothes growing and then rotting like the way trees grow and drop leaves.

He works with mycelium – the thread that eats mushrooms – to produce on-demand, on-demand clothing that reduces waste and reduces chemical use. At the end of their useful life – at least two years – the clothing will be biodegradable.

The production cycle – growing the mycelium, harvesting it, 3D printing it, drying it and then finishing the final product – currently takes about two to three weeks, said Hoitink, who has worked in fashion for more than a decade.

3D modeling also allows seamless clothes that are comfortable and fit, says Hoitink.

“When you have clothes tailored, it’s (a) luxurious. But we are sure that with this production system we can do it en masse, “he said.

In particular, these materials can facilitate the formation of garments for various body types and markets, he added.

“At the moment, everything is based on Western standards. But African agencies are very different. Asia’s body is very different. If we could design with all those different body types in mind, it would be much better for everyone. “


The London-based Post Carbon Lab wants to take emission reductions even further, ensuring fashion and design have a positive effect on the climate by turning fabrics into carbon-absorbing surfaces.

Designers and researchers Dian-Jen Lin and Hannes Hulstaert did this by using photosynthetic coating technology that inserts microorganisms, such as algae, onto fabrics.

The resulting textiles, with living organisms, can then absorb carbon dioxide that changes the climate, said Lin.

Having ‘live’ clothing does require different care, says Lin, and users need to provide it with access to humidity – such as windows that open on a rainy day – as well as ventilation and light.

Fairbrics, MycoTEX and Post Carbon Lab are three of the 10 finalists for the 2020 European Social Innovation Competition, which focuses on fashion and is run by the European Commission.

Other finalists, selected from more than 760 applicants, included Germany’s Kleiderly, which recycles textile waste into new materials, and Resortecs’ soluble stitches based in Belgium which allows for easy recycling and reuse.

The competition, now in its eighth year, seeks practical solutions to major environmental and social problems and has focused in recent years on issues such as cutting plastic waste and better integrating refugees, said Sonya Gospodinova, spokesperson for the European Union.

Three winners are expected to be announced on November 26, with each receiving 50,000 euros ($ 59,000) in prize money, organizers said.

“What is the ecological role of fashion?” asked Lin from the Post Carbon Lab. “If we don’t have the environment, where we basically all live, there’s nothing. There is no society, no happy community to build. And … the clock is ticking. “


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