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The Brexit Impact Is already deterring architects | Instant News


The impact of another complex Brexit has become clear. More than four years after voters in Great Britain decided they wanted to leave the European Union, the turn of the new year marked the beginning of a new business relationship between Britain and the European Union. While the 11th hour trade deal prevented economic exchanges from grinding to a complete halt, British architects won’t find it easy to start their trade on the continent any time soon.

Starting January 1, 2021, architect licenses in the UK will no longer be recognized as valid by 29 of the 30 countries that make up the European Economic Area (as well as Switzerland). For now, those wishing to work with any EEA country except Ireland will need to demonstrate their competence in practicing architecture in every country.

This problem stems from the fact that the two Brexit sides were unable to come to an agreement that would mutually recognize professional qualifications across the UK-EU border. Architects are far from being selected because of licensing headaches: Lawyers are now the only credentials UK who can continue business as usual in the EEA for now.

Despite the EEA’s reluctance to recognize licenses issued by the British Architects Registry came into effect after the calendar was submitted to 2021, this issue has been the concern of Brexit negotiators since at least February last year. At that time, British Prime Minister Boris Johnson expressed a desire to make reciprocal credential recognition as a component of the UK / EU trade agreement, even though the current agreement does not include such a provision.

Unsurprisingly, the British Royal Institute of Architects less pleased with the prospect that its members might face new obstacles to working on the continent. “Since the referendum, RIBA has strongly called for mutual recognition of professional qualifications, and it is therefore disappointing to see this has not been agreed,” said the RIBA chief executive in a statement cited by Architect’s Journal. “Going forward, ARB has the opportunity to negotiate a new path of recognition with the EU, and we will work closely with our colleagues and ARB members to help shape such an agreement.”

Even once again information on any deal the ARB could elaborate on should be available by January 22nd, working as a British architect in an EEA country other than Ireland will involve some logistical challenges. UK citizens are only permitted to stay in EU member states on a 90 day “short stay” visa within a specified 180 day period, after which it is necessary to apply and pay for a long term immigration visa.

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The Ritz-Carlton Residences, Miami Beach, Full of Italian Designs | Instant News


The exterior of Ritz-Carlton Residences, Miami Beach, designed by Piero Lissoni.

Photo: Kim Sargent

Among the many luxuries housing development making waves in Miami, people in particular hope to stand out with a very specific design ethos. The Ritz-Carlton Residences, Miami Beach, covers all things Italy, starting with its architecture Piero Lissoni and continues to the brands represented in each unit and general area of ​​the building. A series of model units, fully furnished by leading Italian companies, complete the ode to the European design capital.

The Italian-influenced design program fits in well with the South Florida region, according to Allison Greenfield, a partner at Lionheart Capital, the project developer. “Miami is an excellent location for a sensual minimalist aesthetic that tends to be practiced by modernist Italians today,” he told AD PRO. “This works very well with the demographics here and also the climate – you need simpler and cooler objects.”

Many project facilities, such as the Club Room, are furnished with Italian brands.

Photo: Kim Sargent

In addition, Greenfield points out, European architects such as Lissoni tend to be well versed in the art of adaptive reuse. For this project, the 800,000 square feet previously used for medical practice must be converted into luxury residential arrangements with 62 unique floor plans. Lissoni is ready for the job and, furthermore, is very concerned about all aspects of the project – from the exterior to the interior. “In the style of Italian design education, if you are a master architect, you do all kinds of scales,” Greenfield said. “You don’t just do houses or buildings; You are doing furniture, pens, glasses. Everything has to do with the same design principles. “

For this reason, interior decoration must complement Lissoni’s overall vision. For the in-house developer group, that means working with brands that have previously been collaborated by architects and designers, such as Cassina, Lualdi, Living Divani, Glas Italia, Zucchetti, and Boffi, to complement the unit and space facilities. And for the first round unit model, Lionheart gave three companies – Flexform, B&B Italy, and Baxter – carte blanche to complete them as they pleased.

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Veteran Fashion Matthew Williamson Wants You to Buy Antiques | Instant News


Designer Matthew Williamson.

Photo: James D. Kelly

“I think a room without antiques feels a bit flat,” Matthew Williamson tell AD PRO. Williamson, best known for his work as a fashion designer, has made a career change in recent years to focus on all things interior. In addition to taking on decoration projects for various clients, Williamson has started a series colorful product launches. Now he is partnered with Vinteriors, an e-commerce platform that – as the name suggests – specializes in vintage furniture. His first contribution was a product edit titled Rumah English, which took some of his favorite works currently available through the site. But despite the edited words, Williamson does not advocate for a made-in-the-UK-only perspective.

A 19th-century coffin with painted flowers is one of Williamson’s choices for English homes.

Photo: Courtesy of Vinteriors

The same applies to his approach to time periods. “I will not be a slave in a particular era,” said Williamson, who admitted that he was rather fragmented from the 1970s and the Arts and Crafts movement. The natural and free flowing design that is identical to the two styles also has clear lines on the body of Williamson’s fashion works. While saturated clothing and weight-patterns are well-liked, Williamson said that he was very pleased to have switched to the slower design industry. He also prefers one-on-one interactions with clients that are far more likely to occur.

And while Williamson notes that in his opinion people are increasingly open to recycling in fashion, furniture and design seem far ahead of the reuse curve. However, that does not mean that there are no warnings when it comes to working with vintage pieces. “Nobody wants to live in an antique shop,” Williamson said, adding that he would never design a room filled only with antiques – especially antiques from one time and place.

Large chandelier with Murano flowers which is part of the editing of Matthew Williamson.

Photo: Courtesy of Vinteriors

Instead, his own professional ethos is about “picking cherries” what is right for the client. When asked how he handled individuals who might be skeptical about vintage shopping at all, Williamson said, “Funny, I work with clients now who are exactly that person. … The lights they like are reproduction, and I try to educate them that if they buy the original will be far more beautiful. “In the end, Williamson believes that filling space with 30% antiques can make a big difference, bringing a sense of eclecticism while avoiding the appearance of an accidental museum.

Currently, Williamson certainly works from his own home, which is located in Spain. “I am truly grateful to find myself painting or making something,” he said when asked how his daily routine had changed. And of course, he has more to think about in terms of his Vinteriors partnership. Next, he will launch an outdoor piece edit. This is very natural, given the warm Williamson Mediterranean habitat and the fact that he himself often hunts furniture that naturally matches the beach atmosphere.

A deck area at London’s Blakes Hotel, designed by Williamson, hints at its outdoor aesthetics.

Photo: Courtesy of Matthew Williamson

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Italian Design Brand Reopens Its Factory | Instant News


After weeks of being locked nationally, several Italian design brands reopened their factories and manufacturing centers due to restrictions abating throughout the country. Especially, Moroso, Italian B&B, and Minotti have reopened their facilities, according to Dezeen. In Moroso, based in Udine, production resumed yesterday, with the company’s warehouse and logistics team ready to return to work on Monday.

While workers will continue to return to their positions from time to time, new workplace security restrictions are being imposed to help prevent a second wave of viruses. Employee at Moroso equipped with personal protective equipment, and others will have temperature scanners to detect potential fever outbreaks. At the Italian B&B, which has factories in Novedrate and Caldogno, the workplace has been filled with disinfectants while new sanitation procedures have been put in place. The workers will also be scanned for temperature before entering the factory and will be issued new masks and a pair of protective gloves every day. Individuals in each facility are also expected to maintain distance social practices as far as their abilities.

“We have worked hard in the last few weeks to adapt and strengthen all the health and safety measures that already exist in our plant and HQ,” Moroso said in a statement. “For now, all other departments, including customer service, customer service, and commercial and marketing offices, will continue to be available through smart work.” In a statement released via Indonesia, B&B Italia said, “We believe that the quality of Made in Italy and the extraordinary commitment of men and women who prove their strength will enable us to overcome this crisis.” Minotti and Flexform, both based in Meda, and Axolight in Venice will continue production this week.

Although Italy was devastated by a virus, it forced the cancellation of such large-scale design events Salone del MobileThe increase in lockdown was proposed by Italian business leaders who warned of a looming economic crisis if the closure continued. In mid-April, the leader of the nine biggest design brands in Italy sign an open letter for warning the government of the catastrophic financial collapse. The signatories included leaders from Italian B&B, Flexform, Bisazza, Boffi, Cappellini, Cassina, Giorgetti, Molteni Group, and Poltrona Frau.

Companies that produce goods for export, including most design brands, have been allowed to continue production based on new steps, but May 4 is the official date for other factories and construction site to start working again gradually. Restrictions are abating in Italy and across Europe as a step to prevent deeper economic impacts, but social distance will still be enforced throughout the country. According to Italian Prime Minister Giuseppe Conte, Italy is still instructed to maintain distance, and travel between various regions will be closely monitored. Until now, museums, libraries and shops will reopen May 18, June 1 bars and restaurants.

AD PRO currently offers free access to all news about coronavirus epidemic.

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Gustavo Neves Brazilian Raw Beauty Channel in a Limited Edition Collection | Instant News


The entrance to Casa Sumé, the concept home of Gustavo Neves in São Paulo, Brazil, displays a series of traditional sculptures that resemble body parts. Home-like facades are made of piassava, a fibrous product used to make brooms.

Photo: Courtesy of the Invisible Collection

The rough and tactile facade attracts animal fur. The door is wrapped with 105 carved wooden body parts. As imagined by Brazilian architect and designer Gustavo Neves for the 2019 edition of Casacor, Casa Sumé was the concept home that caused a stir.

Established in Sao Paulo at Brazil’s largest design, architecture and interior exhibition, the prototype of the house combines surprising craftsmanship and detail. Interior-specific furniture – which explores the South American country’s heritage with a mixture of local materials, often left raw – also serves as a starting point for high-end product lines launched this month through Invisible Collection, an online market for special and limited edition furniture and decorations.

Exuit coffee table by Gustavo Neves, now available through Invisible Collection.

Photo: Courtesy of the Invisible Collection

While the house is typical front door only available on special request, the 15 furniture and lamps that meet Casa Sumé are now available for purchase, starting at around $ 1,700 to more than $ 19,000. For each section, Neves carefully chooses materials such as bronze, wood, brass, and rare crystals or other stones. Like jewelry, he often completed pieces with liquid metal. To create a Sumé dining table, for example, Neves carved a piece of reclaimed wood and then covered it with bronze that was heated to 1,500 degrees Fahrenheit. The wood is then carbonized – making each part unique, with its patina and shape affected by metal contact with wood. “I don’t control how the metal will organize itself,” Neves said.

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