Tag Archives: selfridges

Retail group Mike Ashley takes over leading fashion retailer North | Instant News

Mike Ashley Frasers Group’s retail empire has swooped into the premier fashion retailer on Teesside.

Newcastle United owner and serial entrepreneur has taken over designer clothing company Middlesbrough Psyche in an undisclosed deal, years after the owner initially turned down a purchase offer.

Soul owner Steve Cochrane, who has owned the company for 38 years, will remain with the company after the deal, saying it secures the future of brick and mortar shops, online operations and 58 employees.

She said: “After 38 years as an independent fashion retailer we’ve never seen the uncertainty surrounding a pandemic with local closings, it’s great to have the security and support of one of the UK’s strongest retailers to continue to employ our talented staff and serve us loyal customers.

“Joining the Frasers Group will allow us to grow and develop.

“It will give us economies of scale and efficiency by being part of a large company.”

The deal includes Psyche’s 40,000-square-foot luxury fashion boutique in Middlesbrough, which sells more than 200 high-end brands for men, women and children, and is currently closed due to Tier 4 restrictions.

It moved into the building from its previous premises, also on Linthorpe Road, as part of expansion plans in 2003.

In 1995 Psyche won UK Designer Retailer of the Year ahead of Selfridges on Oxford Street and Mr Cochrane, saying he was first approached with a potential sales offer in 2017.

He turned down the offer – but was recently contacted by Frasers Group founder Mr Ashley.

The businessman visited four years ago during a trip to see his Flannel shop in Middlesbrough.

Mr Cochrane added: “When Mike came three years ago, he said it was the best shop he had seen outside London.

“They are really great to face. Many highways are on the brink of failure, but this deal ensures that Psyche is now part of something bigger and safer.


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Net Zero Festival: Slow down fast fashion | Instant News

VIDEO: Lucy Siegle asks Arizona supermodel and campaigner Muse, Daniella Vega of Selfridges, Robin Millington of Planet Tracker, and Wendy Rattray of Hello Halo Productions about how to green the fashion industry

Fashion is a very influential industry where trends are constantly changing, but one of the trends that this sector is struggling to get rid of is the so-called ‘fast fashion’.

Indeed, the shift in recent decades towards cheaper garments that use environmentally damaging materials, chemicals and production processes combined with single-use consumerism has been detrimental to human health, nature and the climate, and there is growing recognition in an industry that is very it needed. move to a more sustainable footing. Fortunately, there are some signs that increasing awareness of the climate and environmental impacts of garments can help change consumer attitudes, but there is still a long way to go without too much time to get there.

So, to discuss the role of complex modes in net zero transition in BusinessGreenRecent Net Zero Festival, journalist and broadcaster Lucy Siegle joins some of the leading experts in her field: Arizona Muse’s supermodel and environmental campaigner, Selfridges sustainability director Daniella Vega, Planet Tracker CEO Robin Millington, and Hello Halo Productions’ executive producer and director executive Wendy Rattray.

The full conversation can be seen above.

All of the debate panels, keynote speeches and presentations of the world’s first Net Zero Festival – which runs for three days from September 30th featuring hundreds of top speakers from business, politics and academia – are is now available to watch again upon request through Net Zero Festival website.


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BERNADETTE Is a Belgian Luxury Fashion Brand That Brings All the Drama | Instant News

Striking and fully modern, meet the fashion labels based in Antwerp, BERNADETTE.

Presented by creative mother / daughter duo Bernadette and Charlotte de Geyter, their clothes can be found in happy places where minimalism meets maximumism.

Shapes and colors are expertly combined to offer a very contemporary luxury through their ready-to-use collections.

His statement, the liquid silhouette along with the color blocks and prints did all the talk (they are also known for their floral designs that were hand drawn by Charlotte). And while he takes care of proportions that are too large, Bernadette, aka the mother of the color master, brings enthusiasm. We learn more about the dream team.

Felicity Carter: What was your first fashionable memory?

Charlotte de Geyter: Perhaps my first fashionable memory is seeing my mother dress every morning as a little girl. I am a very quiet child, an observer who always sees and follows my mother. At that time for a little girl, your mother was the biggest movie fan, they imitated their mother all the time, always trying on their mother’s shoes and makeup. You want to be a woman and can’t wait to have all these fashionable things. This is where I am fascinated by fashion and how it can make you feel feminine.

FC: How, when, why did you enter the industry?

CdG: After graduating from high school and learning something I never liked, I decided to take a chance in the creative world. I want to study fashion design at the Royal Academy of Fine Arts in Antwerp. After passing a scary entrance exam, my journey began. I really developed and developed my distinctive image and design. I realized this was what I was good at and what made me happy. After getting my master, I moved to London to get experience in the field, but something was missing for me. My mother and I soon realized that together we had a strong story to tell. I moved back and we started our brand together.

How do you summarize aesthetics?

CdG: Creative, colorful, optimistic, forthright, hyper feminine and relaxed.

FC: What is luxury for you?

CdG: Luxury for me is freedom. Clothing that has no time limit, clothing that can last a lifetime is different from mother to daughter, which does not follow trends and it makes you feel like the best version of yourself.

FC: Who are your customers?

CdG: Bernadette’s customers are straightforward and straight to the point but can also be shy and reserved. He has a strange side and likes to see life in a positive way. He has a love for art, and became very excited by finding new and young brands who accepted the challenge to do it their own way. We want to imagine women buying into Bernadette and inspiring others by wearing it. He will become a modern-day muse and appreciate the pieces to be passed on to different generations.

FC: What do you each bring to the brand?

CdG: I want to challenge women to get out of their comfort zones, I like to design loud volumes and work in conflicting colors. I drew all the prints at home and translated them into various color choices with my mother, a color expert. She is truly beautiful and extraordinary, she brings eternity and will always remain calm.

FC: What is the foundation of your company?

CdG: Patience, because we want to take the time to grow. There is a strong foundation of trust because my mother and I made a big decision. We want open communication, have a relaxed environment and make sure everyone does what they like.

FC: What’s on your mood board right now?

CdG: Our current mood board looks calm and calm. This is what we missed during this quarantine. Nature, open fields, refreshing colors and wild flowers. Images that make us dream and travel in our minds. For forms we have many studies of couture. Imagine a very glamorous woman who cannot travel because of the current situation, but she uses her best and dresses every day to drink Martini in her garden enjoying the warm summer breeze.

FC: What are your short-term and short-term goals for your company?

CdG: We are now working in our own webshop for the next collection, we are excited to share other parts of our developing world and build direct relationships with consumers. We want to be a name that is known and can be a small part of many different women throughout the world.

See more at Bernadette website and they Instagram page.


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London Fashion Label 16Arlington Brings Luxury, Luxury And Fetish Attention With Their Latest Collections | Instant News

Marco Capaldo and Kikka Cavenati are the duos behind the London-based fashion label, 16Arlington.

Founded in 2017, their brand exudes glamor, real charm. I mean the glamorous type of Jean Harlow that you associate with Hollywood young stars, but there is a cool London.

There are feathers, there are sequins, silk, leather, and crystals. What more do you want? And this killer silhouette adorns including hugging figures for mini halterneck and one shoulder midis. This is the best maximalism.

Brought to date, there are more important, pay closer attention and there is a collective harmony is disharmony – femininity and masculinity (see special blazers), minimalist and maximum, made sexiness and style without effort. Also not PG, besides that there is also a bit of mixed fetish. Hot.

And the appeal is real, so much so that they get their own Hollywooder, Lena Dunham to walk on their 2020 Spring / Summer catwalks at London Fashion Week (that was Dunham’s debut appearance as a runway model). Also seen they pocketed prominent stockists from Bergdorf Goodman and Kirna Zabete to Selfridges, Moda Operandi, Luisa through Rome and Lane Crawford all eager to follow their alluring lines. So I guess what needs to be done is to add a red carpet.

Felicity Carter: What was your first memory of fashion or style?

We always talk about how we are both very fashion conscious thanks to our mother.

Even though none of them work directly in fashion, they always have a high interest and interest in clothing. We often find ourselves referring to old photo albums and asking them to dig up old pieces that we found in them.

Kikka: My mother used to be a model in her 20s and was often paid for clothes. He will choose unusual special pieces that he normally doesn’t buy so I remember playing with these pieces often. Growing up, I always wanted him to have high heels, but he always liked to sew and very masculine footwear, so I would arrange these beautiful dresses with male lace and big blazer. That real contrast is something that I still applied when designing.

FC: How, when, why did you enter the industry?

We both studied women’s clothing at the University where we met. I think that is the first real formal introduction to this industry. After the collection of our graduates, we built some beautiful relationships with stylists, we both did internships for different design houses but really felt the urge to work together something together that is when we started working at 16Arlington.

Through our stylist being introduced to Lauren Santo Domingo, he put on one of our works which made Moda one of our first stockists.

FC: How do you summarize aesthetics?

Marco and I have real love and appreciation for all the beautiful things. I think that is the starting point of our true aesthetic is to create something beautiful and empowering. 16Arlington is a balance of two extremes, masculinity versus femininity, minimalism versus maximalism, a combination of our British / Italian heritage that creates this beautiful alignment when put in a container of excessive glamorous sexy Italian glamor and a relaxed and cool London and a casual touch of amulets.

FC: What is luxury for you?

For us, luxury is something that is formed in an object of desire. Something that makes your heart beat fast and makes you stop, observe, admire, and enjoy its beauty.

FC: Who are your customers?

We have never identified our customers with any limitations. We do not place age groups or jobs with our clients. For us, she is a woman who uses clothes to strengthen the beauty that is already there. We are truly fortunate to be able to work with a variety of inspirational women since starting a brand that we feel represents our customers. They are all very different and unique but all have something in common so they change the world in a positive way, making it a far more beautiful place.

FC: What do you each bring to the brand?

At the beginning of the trip I thought that we both bought something quite individually aesthetically for each collection but after working with each other and now in our fifth season our aesthetics have really been synchronized and worked in parallel which we don’t need to pay attention to who brings ideas or details specific to the table. I think the real thing that still exists is the eyes of men and women, Kikka is well aware of how women feel in the clothes we make. Marco has a tendency to push the thigh cleavage a little too high.

FC: What is the foundation of your company?

Being a young brand, we have always been very involved in every aspect of the company from the start, which made us learn a lot because the reality of brand building is that there is far more to it than just designing a collection every season. We always take a very direct approach and are still involved in every small aspect of the brand which certainly has weaknesses but also allows us to be very aware of how the brand works and develops. This combined with a very small dedicated team allowed us to get to this point. One of our greatest blessings is to think of one another to continually form rational decisions based on two opinions rather than one and that something both of which is very present both in business, everyday running the brand, and finally the collection itself.

FC: Which was the first time you designed it and how did it happen?

That’s a very difficult question, we made this fur coat very early and it was really about playing with the basic proportions of the coat. We created a large cocoon like this shaped coat to make you look like a pin falling into a fur ball. Another truly impressive creation is the performance we created for Jourdan Dunn and Edie Campbell for the 2018 British fashion award. These two performances are very different but truly represent extreme balance. Jourdan was wearing a strapless transparent lace sequin dress adorned with feathers that had a three-meter long train and Edie was wearing a suit that was completely polished in a limping icy blue with an oversized masculine satin collar.

FC: What’s on your mood board right now?

Nowadays it is quite difficult to channel creative inspiration when surrounded by such sadness but there are times where inspiration kicks in and creates pauses and also acts as a small form of escape. The atmosphere and ideas change quite quickly now and the adjustment from working under extreme pressure and tight deadlines to having more time to develop is something that you think will only benefit the process but in reality adjustments and uncertainties occupy many things. time.

FC: Tell me about the process from sketch to production …

The process from sketch to production is very interesting because each garment is made in a different way. Sometimes there is a very clear visual idea that we detail very deeply in sketches on paper and at other times it is something that comes alive attached to the body. Sometimes something made in a certain direction changes into something when the force inspires to go in a new direction. The process of developing a collection really is something that changes until the morning of the show. After the collection is displayed, it will be sold and seen by our stockists. We often develop exclusive works with our buyers and from our sales campaigns we really begin to understand how collections will be translated commercially. After the sale, we really spent a lot of time aligning clothes in production. Here we tweak the waist circumference bottom keyhole hemlines etc. Many things work well editorially or in show format when you create fantasy but don’t have to be translated into the real world. It is important to us that we keep our clothes as close to the dream as possible, but to make sure women can feel and feel great about wearing them.

FC: How would you like to see your label develop?

We are very fortunate to work with extraordinary stockists around the world and we look forward to continuing to develop our distribution in a very organic way. For us the goal is never to redistribute the collection, but to make it very special and available in a very beautiful space. We want to continue to build long-standing relationships with all our retail partners. We recently launched an exclusive bag collection with Net-a-Porter and we hope to explore more categories in the future as the brand develops into what we hope will become global.

Buy labels on their labels website and in leading stores globally.


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Need some fancy style? Meet Couture’s Fashion Designers, Huishan Zhang | Instant News

Chinese-born, designer based in London, Huishan Zhang will come to his 10th birthday in the fashion business and he accomplishes many things today.

He studied at London Central Saint Martins and after serving Dior Paris in the third year (he was chosen by Delphine Arnault no less), he started his namesake label at 2011. He is greatly influenced by his national identity and geographic location, so expect East-West romance to meet and not to mention, luxury.

Aesthetically has a global appeal, and this allows him to mark most of his work list. Top stockist (Bergdorf Goodman, Selfridges, Joyce, Harvey Nichols, Moda Operandi) check, celebrity fans (Gwyneth Paltrow, Felicity Jones, Naomi Campbell, Gigi Hadid, Saorise Ronan) check, and then there are awards (Elle China Designer of the Year, LVMH Prize finalist and recipient of BFC Fashion Trust) checks.

And there’s more, because the V&A Museum includes its ‘Dragon Gown’ couture in the T.T Gallery. Tsui, made him the first Chinese contemporary fashion designer to receive this honor. With all this under his belt yYou would think there isn’t much more on the to-do list, but as Zhang said, he felt like he was just getting started.

Felicity Carter: What is your first memory of fashion?

Huishan Zhang: That was the first time I opened a fashion magazine in China when I was in middle school. I am very fascinated by the world of fashion and have the ability to take me to far away places and let my imagination run wild.

FC: What inspired you to study fashion, and why is it Central Saint Martins?

HZ: I am interested in the multicultural nature of London and Central Saint Martins is my first choice to learn to follow in the footsteps of my fashion design icons.

FC: How do you summarize the aesthetics, and marriage between east and west?

HZ: Traditional meets modern life.

What is luxury for you?

Beautifully considered and manufactured products that stand the test of time in quality and aesthetics.

FC: Who are your customers?

HZ: Our customer base is very varied and covers many ages and nationalities. I would say that he is cultured and travels well.

FC: What is the foundation of your brand?

HZ: Quality, Luxury Ready to Use with varied international couture and demographic techniques.

FC: Which was the first time you designed it and how did it happen?

HZ: meIt is a traditional Chinese cheongsam that I am still inspired by. My debut collection is an extension of this cheongsam and a work is displayed in the permanent gallery at V&A.

FC: What’s on your mood board right now?

HZ: Many new things and developments from our pillar fabric. I have fun with this collection. It makes me think of the better times we have.

FC: You stocked up at leading stores globally – which was the first stockist to pick you up?

HZ: The first store is Browns in London. Mrs. B actually came to my apartment to buy a collection directly and I still remember the excitement of that day.

FC: You’ve accomplished a lot in your 10 years, what else is on your to-do list?

HZ: I sometimes feel like I’m just starting!

I would love to have a mainstay in China because my heart is always divided between the United Kingdom where I study and live half the time, where I own my flagship store and have a part of my team and China, where I grew up, owned my shop and was surrounded by family .

We continue to add things to our company list of things to do, so there will be interesting things in the brand shop!

See more about huishanzhang.com.


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