Tag Archives: stitches

Inkom Girl Wins Idaho Wool Industry Fashion Competition | Local | Instant News


INKOM – Learning to sew is a birthright for women in Ariana Long’s family.

Long, a 16 year old Inkom girl who attended Century High School in Pocatello, was taught sewing by her mother, Kristi Bernier-Long, when she was only 7 years old. Bernier-Long, on the other hand, learned from his mother, who also learned from his mother.

The family legacy is in good hands with Long, who was recently told that the red wool coat he designed and created took first place in the state in the annual Make it With Wool contest, sponsored by the Idaho Wool Growers Association.

The coat – made of 100% Pendleton wool with lining, collar, black belt, clasp front and shaped trim – will now be entered in the American Sheep Industry Association national competition. If it weren’t for the COVID-19 pandemic, Long would have been invited to Denver to participate directly in national competitions.

Long, who won the junior division of the competition, admitted that he was nervous about entering the coat in the contest. This was the first time he had worked with wool and made changes himself, without his mother’s help.

“It means a lot to me personally,” Long said. “This is one of the first outfits I can do myself and be convinced of my talent.”

Over the years, Long has sewn her own pajamas and several dresses, including semi-formal 1950s-style dresses. For the coat design, he modified McCall’s pattern.

“I added a few different personal accessories and styles,” Long said.

Lama previously modeled the coat during the 4H competition at the Eastern Idaho State Fair, where he won a medal in the style review category.

Long is the representative for the eastern 4H district and has been active in 4H and FFA for several years.

“I saw a lot of people showing sheep (in 4H) and I have been exposed to the wool industry through that program,” said Long, who hopes to have a career as a major veterinarian. “I’ve done a lot of learning about the animals featured in 4H and their respective industries.”

Long personally participated in a race featuring a horse and his dog, the German shepherd.

For winning the state contest, he was awarded a full fleece and 10 yards of wool for his future project. He explained that he used thick, hard-to-work wool for his coat, and that it would be easier to work with lighter wool in the future.

He was so desperate to get the coat back from the national appraisal that he ended up wearing it regularly.

Idaho Make it with Wool Director Kim Monk said the contest was meant to promote the quality and versatility of wool and has been around for decades. She looked at photos dating from the 1940’s of entries from Latah County in the Idaho state pageant.

Monk personally won the Idaho contest as a student in the 1980s. He earned a master’s degree in textile design from the University of Idaho.

“Wool as a fiber is very versatile. Wool is a natural fiber; it’s very sustainable,” says Monk.

Monk said he was impressed with all the entries in this year’s contest, including Long’s coat.

“It’s so beautiful. I want it,” he said.

Mia Sharnhost, from Genesee, took second place in the junior division.

There are 230,000 sheep raised in Idaho, and the herd has grown by 5% over the past two years, said Naomi Gordon, executive director of the Idaho Wool Growers Association. Gordon emphasized that wool has antimicrobial properties and is good for human health and the environment.

“Fine wool is one of the finest fabrics you will find in the entire world,” says Gordon.

Gordon says proponents of using natural fibers tend to prefer wool, which he says “has had a bad reputation in the past from people who don’t understand the product.”

As well as clothing, Gordon said wool was used in brick making, as an insulator in computers and in fire-resistant uniforms.

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The new PEM exhibition highlights women’s fashion designers | Local News | Instant News


SALEM – In Abigail Adams’ timeless words, the Peabody Essex Museum “remembers the women” who revolutionized women’s fashion over the past 250 years in an ambitious and extensive new exhibition.

“Made It: The Women Who Revolutionized Fashion,” which runs now until March 14, is a transatlantic production in partnership with Peabody Essex Museum and Kunstmuseum den Haag from the Netherlands. Child of brains Petra Slinkard, Fashion and Textiles Curator Nancy B. Putnam of PEM, the exhibition begins when she sees an Instagram post about an original 2016 exhibition featuring a female designer at the Haag museum, “Femmes Fatale”.

Curated from the museum’s second collection, a 112-part, five-part, retrospective of 250 years plus loans from the Boston Museum of Fine Arts and local private collectors.

In virtual preview, organizers on both sides of the Atlantic talk about the challenges and goals of the exhibition, especially during the pandemic, which delayed its original opening date in May.

The words “handle with care” take on a whole new meaning when you talk about the extreme fragility of fabrics, stitches, stitches and embroidery dating back to the mid-18th century. The packing, transporting and fitting of such a movable fashion party is, in itself, a feat. Then there is a lot of research that goes into the enlightening biographies of the individual designers who accompany and contextualize their ensembles.

Local fashionistas will find among silk, chamois, gilt, glitter, drape and dazzle, stunning ensembles by icons such as Chanel, Lanvin, Schiaparelli, Trigere, Carnegie, Prada, Koran and Kamali.

But they’ll also find lost treasure, particularly Elizabeth Kinkley, a mid-19th century black woman who bought her way out of slavery and turned her gifted needle into a coutur, dressing up regal women in Washington, DC, society, especially. among them, Mary Todd Lincoln’s friend.

The range of collections is extraordinary, as are the clothes. But it is how history is contextualized with the accompaniment of well-researched texts that makes this show truly educational. If, as Louis IV of France put it, “Fashion is a mirror of history,” then this exhibition manages to capture the historical evolution of not only fashion, but of women themselves.

For starters, the absence of male designers shifts the focus not only to the fact that the heartbeat of the industry has always been women, but how female designers have gotten so good at beating men where it counts – not in the haute couture salons in Paris, but in the real world.

Basically, the word couturier translates to tailor, and tailors are traditionally women. At PEM, the show has been installed to give audiences a close, personal and highly tactile experience of the exquisite arts and crafts of the countless anonymous cast of seamstresses who hail from the mid-18th century European courts, where high fashion resides the theater height and a declaration of wealth and social status.

But once this show pays homage to those European roots, it moves swiftly through decades of corsets, bustiers, hustle and bustle, and ruffles until 1849, when Fredrick Worth, a man – and an English to boot – is credited with creating French couture. The names of the couture houses that followed her footsteps belonged to men, and women became slaves to fashion tying their bodies to the impossible ideal of male feminine perfection.

Then, as the 19th century gave way to a long, hard struggle for 19th Amendment rights, the 19-inch waist gave way to newly freed women and newly freed wardrobes.

World War I played an unconscious role in this. When men go to war, women go to work, and the work they do demands clothing that is practical, functional, and comfortable. As fabrics became scarce, clothes had to be simplified and shorter. On to the plate, with its new minimalism, came Coco Chanel. A visionary of style, Chanel experimented with cheaper, more readily available, and more flexible fabrics, such as jerseys. And the revolution continues.

In her iconic little black dress and classic suit, Chanel is launching fashion forward into a future that will in time see a new generation of women on both sides of the Atlantic, who, rather than looking couture, look out over the street, at work. , gyms, yoga studios and jogging trails to dress up 21st century women.

“As this exhibition passionately affirms, fashion represents a lot more: from defining cultural moments and advancing political goals, to profoundly influencing the global economy and ecology,” said Slinkard.

The core problem? the trouser suit worn by Kamala Harris when she delivered her acceptance speech as the first female vice president. As a tribute to early 20th century suffrage, it was expressed in their choice of “white battle gowns”.

Joann Mackenzie can be reached at [email protected]

IF YOU GO

WHAT: “Succeeded: Women Who Revolutionized Fashion,” showcases more than 100 works over 250 years that recognize the often-overlooked contributions of women in the fashion and design industries.

WHERE: Peabody Essex Museum, 161 Essex St., Salem

WHEN: Now until March 14, 2021

TICKETS: Adults $ 20, seniors (65 and over) $ 18, students with ID $ 12, ages 16 and under and residents of Salem free; reservation is required in advance due to COVID-19 restrictions on www.pem.org/tickets or 978-542-1511.

MUSEUM HOURS: Thursday to Sunday, 10am to 5pm

MORE INFO: www.pem.org

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Need fashion help? Altamont woman came to the rescue. | Local News | Instant News


ALTAMONT – Making a great first impression can be a valuable asset when interviewing for a new job or creating a new positive image.

Kate Beals, a native Brazilian who moved to Altamont this year, has years of formal knowledge and training in the fashion industry. She recently launched Kate Beals Fashion, offering her services as a consultant and personal stylist to local residents.

Beals moved to Altamont in March to marry Realtor Grant Beals Century 21 Reality Concepts of Effingham.

“Coming to Altamont gave me new opportunities to be happy,” said Kate Beals. “I left my whole life in another country – and coming here is a blessing.”

Kate Beals has three children Diovani, 21, and Leonardo, 22, who live in Sao Paulo, Brazil, and Kamilla, 30, who plays volleyball in Portugal.

Beals spent 4 1/2 years at the Sigbol Fashion Institute, majoring in Fashion Design, and studied Fashion Journalism in Escola Sao Paulo.

When Beals started his professional career in the fashion industry 25 years ago, he was a freelance journalist in Brazil who wrote articles for fashion magazines and newspapers. She also worked at a department store selling certain high-quality clothing brands before launching her own personal consulting business.

Beals grew up in Sao Paulo, Brazil. His father was a driver and his mother worked as a tailor.

“She has her own studio, where she makes her dresses,” Beals said. “I grew up amidst silk and embroidery.”

Beals said she loves to see how happy people are when her mother makes clothes for them.

“This has allowed me to understand that people have different bodies and not everyone can look good in the same clothes,” said Beals. “I help people find out what clothes are right for them.”

Beals has a five-step system for evaluating what clothes would look good on someone. He said the most important thing was the first conversation he had with a client.

“I interviewed someone to understand the places they visited and the things they liked,” said Beals. “In this interview with this client, I observed his physical type, what his job is, the places he frequents. After that, through colorimetry, we found a suitable color for her skin tone. “

After determining colorimetry, he visited his client’s home to organize their wardrobes, removing clothes unsuitable for the person.

He then goes to a shop with a client and finds clothes that best fit the person. Beals helps women and men find the right clothing solutions.

“I would then become a personal shopper,” said Beals. “Choosing the right clothes is important. I found what was right for the person. “

Beals said wearing the right clothes can also improve a person’s mentality.

For example, she said women stayed home after having children and looked in the mirror thinking that they would never look great again. There is no reason for someone to stay home and feel depressed. They may just be wearing the wrong combination of clothes, he said.

“Sometimes people are just embarrassed by their appearance and think their image is not good,” said Beals. “Some people think fashion is not important … Yes, it is.”

“I like to make people more confident,” said Beals. “It may be. I am very happy to see people happy. “

Beals also has experience as a business consultant. During one consultation, he made a presentation to a group of employees at a bank on how to present himself to the public.

“Sometimes business owners worry about their image,” said Beals. Here’s what I can help you with.

“I help employees understand what types of make-up are good for work and what clothes are right for,” says Beals. “I can help with the company dress code.”

She said some employees come in with too much makeup and sometimes wear the wrong color. Beals said the company he works for in Brazil asked him to teach the correct dress code because businesses weren’t sure how to discuss dress code issues with their employees. She can make a presentation to the sales staff explaining the importance of wearing appropriate clothing that makes them more confident at work and helps them sell more products.

Beals says another service she provides is helping someone looking for their first job choose the right wardrobe option. He said the school would hire him to give presentations to students on how making a good impression by wearing appropriate clothing could help land a job.

“The first impression is the most important,” said Beals. “Those first 15 seconds leave a good or bad impression. If you wear the wrong clothes, there are no second chances. “

She says good clothes and the right grooming are essential to making a good first impression.

“It makes a big difference,” said Beals.

Beals has a Facebook page for his business: facebook.com/katebealsfashion.

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Festive fashion trends for a casual holiday celebration | home and garden | Instant News


“Make sure to dress your more comfortable appearance with fun jewelery,” she adds.






Statement earrings are the perfect way to dress up any look.


Even though comfort is the queen these days, Yeadon says dresses are definitely not off limits.

“Try to pair it [your dress] with a blazer that is raised for warmth or if you need a little cover, “he said.

Lastly, Yeadon suggests playing around with textile textures.

“The tonal look is always elegant,” he said. “Try pairing the texture with a metallic tank, suede pants, and a fun faux fur wrap!”

Texture, in fact, is the most important factor in being stylish this season.

“There are many textures,” he said regarding the current trend. “The fuzzy cardigans are enjoying the moment [for] a more casual overall look but very laid out and put together. [There’s a focus on] neckline and interesting details. Bloated arms will become every where This winter. “

Whether you’re staying home for the holidays or attending a smaller gathering, Yeadon encourages a feeling of festivity.

“Our clothes reflect our moods, and there is no better way to lift your mood and embrace the festivity of the holiday season than in nice clothes,” Yeadon said.

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Fashion (and history) repeats itself | Editorial | Instant News


You know that you are getting old when you realize that you are seeing a certain fashion trend again.

It feels like a deja vu moment until you realize, “Oh, I remember – we wore it in middle school!”

It’s funny how skipping the jeans rack at our local Bargain Hunt demanded a recent double take on pinstripes and acid washes, bringing me back to 9th grade.

Speaking of the denim trend, I love the return of high-waisted “mom jeans”.

This time, I really appreciate his support.

Also back from the 70s, we saw lots of wide feet and flares. Of course, if that’s too extreme for your liking, a good ole bootcut will always work. And tucking skinny jean into knee-high or above-knee boots keeps them on trend.

When pantsuits and rompers resurfaced on the style scene a few years ago, I just smiled and thought, “Been there, did that,” realizing that it’s one of those trends I won’t be repeating at this stage of my life.

No matter how cute, I don’t need anything to slow me down when nature calls!

But funny enough, my stylish mother-in-law showed up at dinner recently in a black jumpsuit. I didn’t think it was a overalls until she returned to our table after a long disappearance into the ladies’ room.

When she explained the delay, I laughed to myself, comparing it to childbirth and how we tend to forget the pain.

Fashion repetition and interesting history. I read on a style blog that fashion fashions will last only 3 to 12 months, trends will last 1 to 5 years, and classic fashions will last for 5 to 10 years. Then if you wait about 20 years, the trend will re-emerge.

The 20 year rule is a concept commonly referred to in the fashion industry. And inspiration often appears in the mother’s wardrobe.

I have seen this with my brother-in-law and mother-in-law. Because my mother-in-law has stayed the same size over the years and because she has a lot of storage space, she doesn’t waste much (unlike my mother).

So my sister-in-law and niece enjoyed choosing from the collection of fashion history in her wardrobe.

Fashion historian James Laver has another theory about the life cycle of fashion trends.

Stanley Marcus, of the American luxury chain Neiman Marcus, agreed and used Laver’s Law to store clothes in his shop in the late 60s.

According to this law, when a trend is in fashion, it is “smart”.

One year earlier, this was “brave”. 20 years later, it just got “ridiculous”. 50 years, says Laver, is how long it takes a trend to start getting back into style.

Furthermore, Laver said this law applies to all creative media such as art, architecture, design and music.

Despite cyclical fashion trends, Laver points out there is definitely a purpose for a comeback, if not just a costume. Think shoulder pads.

Inspired by men’s football padding, designer Elsa Schiaparelli created a trendy look in the 30s. Women embraced him during World War II when one in four married women were allowed to work outside the home. It became an important style of dress in the 80s when women smashed the glass ceiling.

And with the rise of women’s movements, like #MeToo, and the largest percentage of women in the US Congress, it’s back.

An article entitled “Fashion Trends and Theory: Repeating History,” explains that the fashion cycle generally goes through five stages.

“First, designers introduce a style, and that style is often worn by selected ‘fashion leaders’, such as famous celebrities. When a celebrity wears a new style, it gets attention from fans and the media. The hype translates into style mass production.

“The public’s interest in developing the style is becoming a popular trend, as more and more people are adjusting the look. Finally, the excitement subsides when the market becomes saturated and people become bored.

“From there, a style is replaced by something new and more exciting, usually introduced by the same famous people and designers.”

Another factor influencing the fashion cycle is the state of the global economy, according to observations found online in Elite Daily:

“During the economic downturn, fashion is a bit of fun – people pay less attention to trends and more to ‘investment pieces’ or classics, like trusty little black dresses or classic men’s white buttons.

“It’s not random influence with a theory, but an economist who is looking at the first correlation between fashion and the economy.

“George Taylor developed the Hemline Theory to explain his findings. In the 1920s, she noticed women wearing short skirts to show off their silk stockings.

“When the market crashed, the hemlines went down and the skirts only got longer. The correlation was evident – a longer skirt allowed women to hide that they weren’t wearing (and couldn’t afford) stockings.

“During the period of economic growth, striking styles such as fur, leather, sequins and shimmer became the center of attention of consumers who wanted to flaunt their wealth. The more dazzling and less practical the trend, the higher the chances of money flowing freely. “

History is interesting and can teach us many lessons. We are wise to record pain and learn from our experiences, as well as from those who have gone before us. One thing I learned is that no matter how cute the shoes are, if they aren’t comfortable, I won’t buy them!

We’ve all heard, “Everything old becomes new again.” Do we really think we were the first to do something?

Solomon, in all his wisdom, said, “What has happened again, what has been done will be done again; nothing new under the sun. “

So why does history repeat itself? Thank God God did not bring up the past to curse but to atone. Yes, thank goodness, God is the redeemer!

And, by the way, gratitude is always in fashion!

Gina Moore, a news editorial journalism major, has run Consignment Marketplace Sales for 26 years and has worked part-time at Treasures. She also enjoys rural cooking, reading and writing about motherhood, life on the farm and how God’s love and study surrounds the population.

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