Amarelinha grabbed a comfortable win in Group 2 of the Jamieson Park Eight Carat Classic (1600m) in Ellerslie yesterday. Photo / Kirstin Ledington
Young gun trainer Jamie Richards has written another page for himself in New Zealand’s racing history books and this is one that will probably never be matched.
The 30-year-old coached six winners at the giant gathering of Ellerslie Boxing Day, the first time any coach has coached six people a day on the country’s main tracks, let alone on such a big race day. And they came in consecutive races.
Other coaches have had six winning days on the smaller tracks, but never at the racing base.
One of Matamata Richards’ idols, Dave O’Sullivan, holds the previous record, which was also set on Boxing Day in 1993, when he coached five winners.
O’Sullivan’s son Lance picked up six winners that day but neither coach has a six-win pocket and Richards, coach for Te Akau, also finished second and third in the other two races.
Even for a young man who almost dominated our training rankings, this was something special of a ninth ranked coach in the world.
“These big days are special for all of us, this is why we got out of bed and worked so hard,” said Richards.
“A lot of people have helped this day happen and it’s something I will never forget.”
The six timekeeper started with the Palamos, who looked to be a ready-made favorite for the Karaka Million winning youth race while Entriviere saw open-class material push away its rivals in race four.
Vamos Bebe’s win at the listed Hallmark Stud Sprint did not come without a cloud over him as he bled immediately after the race, forcing a mandatory three month retreat from the race.
The black type acquired yesterday has added further sparkle to the value of his already enormous commercial broodmare but Richards says he may not be retired yet even if it would be a viable option.
Brando looked like a new three-year-old boy with the way he beat his rivals at the top of the Shaw Wire Ropes Uncle Remus gave Richards his fourth win and took the lead next to the Levin Classic at Trentham, where Group 1 triumph looks like his to take.
Mai Tai then stormed the house to claim the Stella Artois Final worth $ 80,000 for a 1500m intermediate horse.
But even after the five beautiful runners, Richards thinks he may have saved the best for last because Amarelinha, only at his third start, won the Group 2 Jamieson Park Eight Carat Classic.
He raced past his little rivals on the home side and ran under Opie Bosson, who divided Richards’ six coaching winners with Danielle Johnson.
“We had a lot of talent on display today, but he’s probably the most interesting,” said Richards.
“He’s still untouched and now heading to the Karaka Classic Mile and there should be a chance.”
The six-time timekeeper led Richards to 78 victories in the national premier league, a remarkable 44 wins from second-placed Stephen Marsh who also won twice yesterday. Richards’ catch took him to 13 black-type wins for the season and on the verge of $ 2 million in stakes in New Zealand, without supplementing Probabeel’s hefty Australian earnings.
With a season in less than five months, Richards has had seven months to try and work past $ 4.48 million rivals Murray Baker and home to Andrew Forsman acquired in the 2017-18 season.
A key meeting in the chase is the night of the Karaka Million on January 23, but after yesterday nothing surprised Richards next.
QI like to stick with FitBit even when dressed up formally. Is it done, or is it a disaster?
—Vinesh T, Via Instagram
Unless you’re an Olympic athlete in training, that’s not ideal. And, if so, shouldn’t you be at the gym and not at a fancy party? How often are you invited to formal dresses? Can’t you just commit to this opportunity and enjoy channeling 007 for just one night? Bond doesn’t care how many steps he takes to the bar to take away his martini. In fact, if you keep looking at your Fitbit, you can miss the pretty Russian spy who has just glanced at you over his shoulder.
Q I am a fashion forward guy. Is there something like a man not being more dressed up than his girlfriend / wife?
—Partthiv, By email
The only style rule is there are no rules. If you have a stylish point of view and like to express it through your clothes, don’t let artificial norms get in your way. Embrace it and have fun with it. Maybe your partner doesn’t really like clothes and prefers to channel his creativity elsewhere. And that’s good too. Or maybe you’ll inspire him and you’ll end up like a very fashion-forward octogenarian Taiwanese couple (@wantshowasyoung) who have become an Instagram style sensation!
Rahul Khanna is a “boutique actor”, whose style of dress and good looks often make hearts flutter. She is known as @mrkhanna on Instagram
From HT Brunch, 15 November 2020
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MILAN / SYDNEY / LONDON (Reuters) – Italian luxury designer Brunello Cucinelli makes men’s suits that sell for up to 7,000 euros ($ 8,200). But even he – like most people around the world – hasn’t worn a suit for months, let alone bought one.
“We are all locked up at home, so this is the first jacket I have worn since March,” Cucinelli told Reuters in Milan as he presented his new collection in September, wearing a light gray blazer.
Most people in “white collar” jobs work from home, with a newfound love for sweatpants, a trend some experts hope to outlast the pandemic. And few, if any, weddings or parties are taking place.
This seismic shift in behavior has had a profound impact across the supply chain for suits and formal wear, boosting a fashion sector that spans every continent.
In Australia, the world’s largest producer of merino wool, prices plummeted, reaching their lowest point in a decade. Many sheep breeders are in trouble, keeping wool in every pen that is available in hopes of recovering it.
In northern Italy, wool mills that buy from farmers and weave cloth for high-end suits have seen their own orders from retailers take a dip.
In the United States and Europe, several retail chains specializing in business apparel such as Men’s Wearhouse, Brooks Brothers, and TM Lewin have closed stores or filed for bankruptcy over the past few months, and many more could follow.
Players at all levels have told Reuters they are being forced to adapt to survive, from farmers turning to other forms of agriculture to factories making more elastic fabrics to new types of clothing that wrinkle less and are more resistant to stains.
“People want to be more comfortable and less inclined to wear formal suits,” said Silvio Botto Poala, managing director of Lanificio Botto Giuseppe, a wool factory at the textile center Biella Italia that counts Armani, Max Mara, Ralph Lauren and Hermes among its customers.
“With Zoom conferences and smart work, you will see men wearing shirts, maybe even ties, but not many suits.”
MERINO FARMERS UNDERWAY
The price of fine wool in Australia has more than halved during a turbulent 18-month period, as the usual healthy purchases of merino wool from Italian factories have almost stalled.
The benchmark price for merino wool fell to A $ 8.58 ($ 6.1) per kg in early September, auction results show, down from A $ 20.16 in early 2019. Since then, some have recovered to over A $ 10 .
Andrew Blanch, managing director of New England Wool in New South Wales, which sucks wool from farms for Italian textile makers, said many buyers now have excess supplies.
“They all have wool that needs to be thrown away before they even get back on the market here,” said Blanch, speaking by phone from a wool auction in Sydney’s western suburbs.
“If the shop doesn’t open, everyone just retreats. Many orders we buy from wool have recently been canceled by their clients in the US and throughout Europe. “
He said China, which along with Italy buys most of Australia’s annual wool exports for more than A $ 3 billion, is now “the only exhibition in town” although Chinese buyers are also getting less wool.
Many merino sheep breeders store their wool in sheds or storage facilities; although some people who are still emerging from a three-year drought sell their balances to weak markets in order to survive financially.
“Not everyone is big enough to hold their wool clips and wait for the prices to change,” said Dave Young, a farmer near the town of Yass in New South Wales. “We are in a position where we have to fill the market in a relatively short time after the price reduction.”
Young, who has about 4,500 sheep on his property, said he had refocused some operations to provide lamb.
WOL WEAVER GLOOM
The food chain is surging into northern Italy, and Botto Poala estimates his factory sales are down 25% from 63 million euros last year and they will take 2-3 years to recover.
However the business is isolated to some degree because most of it makes women’s clothing fabrics; others are more pessimistic.
“For some businesses, we are talking about a 50% -80% drop in sales,” said Ettore Piacenza, general manager of the Fratelli Piacenza wool factory, a centuries-old family business with an annual turnover of 52 million euros. He also heads the wool mill department of a local business association.
Botto Poala says more than 50% of his mill’s turnover now comes from wool which has been made more elastic by tilling it or adding lycra to it.
This is because whatever demand remains for a suit, it is more likely for fabrics that are more stain resistant and less wrinkled, while such fabrics can also be used for casual wear, the wool mill said.
Italian luxury label Etro, for example, recently launched a “24 hour jacket” made of jersey and combining wool and cotton.
‘MY CLIENT IS AT PJs’
The gradual movement towards casual clothing has been taking place over the years. In 2019, even Goldman Sachs – a bastion of custom-made suits – relaxed the dress code for its staff. Not to mention the rise of Silicon Valley’s hipsters.
But COVID has stepped up that change – increasing sales of comfortable and sportswear at the expense of business wear.
In the second quarter of this year, when much of the world was locked in, Nike became the hottest brand according to Lyst, a global fashion search platform that analyzes the behavior of more than nine million online shoppers every month.
This is the first time since the Lyst Index began that a luxury fashion brand has not occupied the top position.
Gap’s Athleta unit, which sells tights, jogging pants, sweaters and tracksuits, was the best performing fashion line in the three months to August 1. Sales were up 6%, compared to a 52% drop at Banana Republic, which is known for its more stylish outfits.
Clothing was ranked among the items with the highest discounts and lowest sales in France, Italy and Germany in September, according to data compiled by StyleSage, which combs prices on websites.
Cheaper labels for mid-market including Asos, Topman, Guess and Hugo Boss had the sharpest price drops, up to 50%.
Falling demand for office clothing led to a multistory of US retailers, also including Jos. A. Bank and J. Crew, filed for bankruptcy during the summer and more retailers face an uncertain future.
Retail consultancy Coresight Research estimates that 20,000 to 25,000 US stores could close by the end of the year, compared with around 9,800 in 2019.
“I admit I haven’t bought office clothes this year. “I can tell you the fact that walking around the City, there are very few lawsuits on display,” said James Whitaker, a partner at the law firm Mayer Brown in London.
Indeed business has been “very slow” even since the late closure of the company for Jasper Littman, a tailor trained on Savile Row, a famous London street for tailoring for men.
Littman said his clients, mostly lawyers and bankers, “sit at home in pajamas”.
She usually makes about 200 outfits a year, but has only made 63 so far in 2020.
Customers are reluctant to take the risk of taking the train to pick up even a suit that has been made with the deposit paid.
“There’s no point in them doing that, because they’ll be getting a coat they can’t wear.”
Reporting by Silvia Aloisi in Milan, Jonathan Barrett in Sydney and Martinne Geller in London; Additional reporting by Jill Gralow, Carolyn Cohn and Aleksandra Michalska; Edited by Pravin Char
The Cameroon forward is the Swiss top scorer, and he has actually scored 10 goals in his last 7 league appearances
Jean-Pierre Nsame maintained his impressive scoring type in the Swiss Super League with a hat-trick when Young Boys ran wide against FC Zurich in a 5-0 victory.
The Indomitable Lions striker produced a man-of-the-match efficiency with a return in front of goal which helped his group win four successes in Zurich on Saturday.
Nsame helped Miralem Sulejmani start the celebrations at Letzigrund Stadium in the 33rd minute before scoring his first goal of the night 9 minutes later, thanks to the assistance of DR Congo Meschack Elia.
Three minutes into the second half, the 27-year-old continued from where he ended by extending the Young Boys results to 3-0 and he also scored the 4th goal after transforming from the charging area in the 59th minute.
Marvin Spielmann completed the success of the Gerardo Seoane team after utilizing the help of Cameroon’s Moumi Ngamaleu in the 73rd minute.
Nsame, the top scorer in the Super League, is actually in an extraordinary type this season with 28 goals in 28 league games and he has actually scored 10 goals in 7 video games given that Swiss top-flight returned from the hiatus coronavirus.
The article continues to be listed below
The Angers striker had previously scored 3 hat-tricks to date with 2 of them coming against FC Zurich.
This achievement made Young Boys rise to the top of the Super League standings because they intend to retain the top league titles. They actually have 64 points from 32 matches, 2 points above second-placed Gallen who has a video game.
Next up for Young Boys is a trip to Neuchatel Xamax on Thursday and Nsame will intend to extend the scoring journey versus the side placed below.
Marco Capaldo and Kikka Cavenati are the duos behind the London-based fashion label, 16Arlington.
Founded in 2017, their brand exudes glamor, real charm. I mean the glamorous type of Jean Harlow that you associate with Hollywood young stars, but there is a cool London.
There are feathers, there are sequins, silk, leather, and crystals. What more do you want? And this killer silhouette adorns including hugging figures for mini halterneck and one shoulder midis. This is the best maximalism.
Brought to date, there are more important, pay closer attention and there is a collective harmony is disharmony – femininity and masculinity (see special blazers), minimalist and maximum, made sexiness and style without effort. Also not PG, besides that there is also a bit of mixed fetish. Hot.
And the appeal is real, so much so that they get their own Hollywooder, Lena Dunham to walk on their 2020 Spring / Summer catwalks at London Fashion Week (that was Dunham’s debut appearance as a runway model). Also seen they pocketed prominent stockists from Bergdorf Goodman and Kirna Zabete to Selfridges, Moda Operandi, Luisa through Rome and Lane Crawford all eager to follow their alluring lines. So I guess what needs to be done is to add a red carpet.
Felicity Carter: What was your first memory of fashion or style?
We always talk about how we are both very fashion conscious thanks to our mother.
Even though none of them work directly in fashion, they always have a high interest and interest in clothing. We often find ourselves referring to old photo albums and asking them to dig up old pieces that we found in them.
Kikka: My mother used to be a model in her 20s and was often paid for clothes. He will choose unusual special pieces that he normally doesn’t buy so I remember playing with these pieces often. Growing up, I always wanted him to have high heels, but he always liked to sew and very masculine footwear, so I would arrange these beautiful dresses with male lace and big blazer. That real contrast is something that I still applied when designing.
FC: How, when, why did you enter the industry?
We both studied women’s clothing at the University where we met. I think that is the first real formal introduction to this industry. After the collection of our graduates, we built some beautiful relationships with stylists, we both did internships for different design houses but really felt the urge to work together something together that is when we started working at 16Arlington.
Through our stylist being introduced to Lauren Santo Domingo, he put on one of our works which made Moda one of our first stockists.
FC: How do you summarize aesthetics?
Marco and I have real love and appreciation for all the beautiful things. I think that is the starting point of our true aesthetic is to create something beautiful and empowering. 16Arlington is a balance of two extremes, masculinity versus femininity, minimalism versus maximalism, a combination of our British / Italian heritage that creates this beautiful alignment when put in a container of excessive glamorous sexy Italian glamor and a relaxed and cool London and a casual touch of amulets.
FC: What is luxury for you?
For us, luxury is something that is formed in an object of desire. Something that makes your heart beat fast and makes you stop, observe, admire, and enjoy its beauty.
FC: Who are your customers?
We have never identified our customers with any limitations. We do not place age groups or jobs with our clients. For us, she is a woman who uses clothes to strengthen the beauty that is already there. We are truly fortunate to be able to work with a variety of inspirational women since starting a brand that we feel represents our customers. They are all very different and unique but all have something in common so they change the world in a positive way, making it a far more beautiful place.
FC: What do you each bring to the brand?
At the beginning of the trip I thought that we both bought something quite individually aesthetically for each collection but after working with each other and now in our fifth season our aesthetics have really been synchronized and worked in parallel which we don’t need to pay attention to who brings ideas or details specific to the table. I think the real thing that still exists is the eyes of men and women, Kikka is well aware of how women feel in the clothes we make. Marco has a tendency to push the thigh cleavage a little too high.
FC: What is the foundation of your company?
Being a young brand, we have always been very involved in every aspect of the company from the start, which made us learn a lot because the reality of brand building is that there is far more to it than just designing a collection every season. We always take a very direct approach and are still involved in every small aspect of the brand which certainly has weaknesses but also allows us to be very aware of how the brand works and develops. This combined with a very small dedicated team allowed us to get to this point. One of our greatest blessings is to think of one another to continually form rational decisions based on two opinions rather than one and that something both of which is very present both in business, everyday running the brand, and finally the collection itself.
FC: Which was the first time you designed it and how did it happen?
That’s a very difficult question, we made this fur coat very early and it was really about playing with the basic proportions of the coat. We created a large cocoon like this shaped coat to make you look like a pin falling into a fur ball. Another truly impressive creation is the performance we created for Jourdan Dunn and Edie Campbell for the 2018 British fashion award. These two performances are very different but truly represent extreme balance. Jourdan was wearing a strapless transparent lace sequin dress adorned with feathers that had a three-meter long train and Edie was wearing a suit that was completely polished in a limping icy blue with an oversized masculine satin collar.
FC: What’s on your mood board right now?
Nowadays it is quite difficult to channel creative inspiration when surrounded by such sadness but there are times where inspiration kicks in and creates pauses and also acts as a small form of escape. The atmosphere and ideas change quite quickly now and the adjustment from working under extreme pressure and tight deadlines to having more time to develop is something that you think will only benefit the process but in reality adjustments and uncertainties occupy many things. time.
FC: Tell me about the process from sketch to production …
The process from sketch to production is very interesting because each garment is made in a different way. Sometimes there is a very clear visual idea that we detail very deeply in sketches on paper and at other times it is something that comes alive attached to the body. Sometimes something made in a certain direction changes into something when the force inspires to go in a new direction. The process of developing a collection really is something that changes until the morning of the show. After the collection is displayed, it will be sold and seen by our stockists. We often develop exclusive works with our buyers and from our sales campaigns we really begin to understand how collections will be translated commercially. After the sale, we really spent a lot of time aligning clothes in production. Here we tweak the waist circumference bottom keyhole hemlines etc. Many things work well editorially or in show format when you create fantasy but don’t have to be translated into the real world. It is important to us that we keep our clothes as close to the dream as possible, but to make sure women can feel and feel great about wearing them.
FC: How would you like to see your label develop?
We are very fortunate to work with extraordinary stockists around the world and we look forward to continuing to develop our distribution in a very organic way. For us the goal is never to redistribute the collection, but to make it very special and available in a very beautiful space. We want to continue to build long-standing relationships with all our retail partners. We recently launched an exclusive bag collection with Net-a-Porter and we hope to explore more categories in the future as the brand develops into what we hope will become global.
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