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London Fashion Label 16Arlington Brings Luxury, Luxury And Fetish Attention With Their Latest Collections | Instant News

Marco Capaldo and Kikka Cavenati are the duos behind the London-based fashion label, 16Arlington.

Founded in 2017, their brand exudes glamor, real charm. I mean the glamorous type of Jean Harlow that you associate with Hollywood young stars, but there is a cool London.

There are feathers, there are sequins, silk, leather, and crystals. What more do you want? And this killer silhouette adorns including hugging figures for mini halterneck and one shoulder midis. This is the best maximalism.

Brought to date, there are more important, pay closer attention and there is a collective harmony is disharmony – femininity and masculinity (see special blazers), minimalist and maximum, made sexiness and style without effort. Also not PG, besides that there is also a bit of mixed fetish. Hot.

And the appeal is real, so much so that they get their own Hollywooder, Lena Dunham to walk on their 2020 Spring / Summer catwalks at London Fashion Week (that was Dunham’s debut appearance as a runway model). Also seen they pocketed prominent stockists from Bergdorf Goodman and Kirna Zabete to Selfridges, Moda Operandi, Luisa through Rome and Lane Crawford all eager to follow their alluring lines. So I guess what needs to be done is to add a red carpet.

Felicity Carter: What was your first memory of fashion or style?

We always talk about how we are both very fashion conscious thanks to our mother.

Even though none of them work directly in fashion, they always have a high interest and interest in clothing. We often find ourselves referring to old photo albums and asking them to dig up old pieces that we found in them.

Kikka: My mother used to be a model in her 20s and was often paid for clothes. He will choose unusual special pieces that he normally doesn’t buy so I remember playing with these pieces often. Growing up, I always wanted him to have high heels, but he always liked to sew and very masculine footwear, so I would arrange these beautiful dresses with male lace and big blazer. That real contrast is something that I still applied when designing.

FC: How, when, why did you enter the industry?

We both studied women’s clothing at the University where we met. I think that is the first real formal introduction to this industry. After the collection of our graduates, we built some beautiful relationships with stylists, we both did internships for different design houses but really felt the urge to work together something together that is when we started working at 16Arlington.

Through our stylist being introduced to Lauren Santo Domingo, he put on one of our works which made Moda one of our first stockists.

FC: How do you summarize aesthetics?

Marco and I have real love and appreciation for all the beautiful things. I think that is the starting point of our true aesthetic is to create something beautiful and empowering. 16Arlington is a balance of two extremes, masculinity versus femininity, minimalism versus maximalism, a combination of our British / Italian heritage that creates this beautiful alignment when put in a container of excessive glamorous sexy Italian glamor and a relaxed and cool London and a casual touch of amulets.

FC: What is luxury for you?

For us, luxury is something that is formed in an object of desire. Something that makes your heart beat fast and makes you stop, observe, admire, and enjoy its beauty.

FC: Who are your customers?

We have never identified our customers with any limitations. We do not place age groups or jobs with our clients. For us, she is a woman who uses clothes to strengthen the beauty that is already there. We are truly fortunate to be able to work with a variety of inspirational women since starting a brand that we feel represents our customers. They are all very different and unique but all have something in common so they change the world in a positive way, making it a far more beautiful place.

FC: What do you each bring to the brand?

At the beginning of the trip I thought that we both bought something quite individually aesthetically for each collection but after working with each other and now in our fifth season our aesthetics have really been synchronized and worked in parallel which we don’t need to pay attention to who brings ideas or details specific to the table. I think the real thing that still exists is the eyes of men and women, Kikka is well aware of how women feel in the clothes we make. Marco has a tendency to push the thigh cleavage a little too high.

FC: What is the foundation of your company?

Being a young brand, we have always been very involved in every aspect of the company from the start, which made us learn a lot because the reality of brand building is that there is far more to it than just designing a collection every season. We always take a very direct approach and are still involved in every small aspect of the brand which certainly has weaknesses but also allows us to be very aware of how the brand works and develops. This combined with a very small dedicated team allowed us to get to this point. One of our greatest blessings is to think of one another to continually form rational decisions based on two opinions rather than one and that something both of which is very present both in business, everyday running the brand, and finally the collection itself.

FC: Which was the first time you designed it and how did it happen?

That’s a very difficult question, we made this fur coat very early and it was really about playing with the basic proportions of the coat. We created a large cocoon like this shaped coat to make you look like a pin falling into a fur ball. Another truly impressive creation is the performance we created for Jourdan Dunn and Edie Campbell for the 2018 British fashion award. These two performances are very different but truly represent extreme balance. Jourdan was wearing a strapless transparent lace sequin dress adorned with feathers that had a three-meter long train and Edie was wearing a suit that was completely polished in a limping icy blue with an oversized masculine satin collar.

FC: What’s on your mood board right now?

Nowadays it is quite difficult to channel creative inspiration when surrounded by such sadness but there are times where inspiration kicks in and creates pauses and also acts as a small form of escape. The atmosphere and ideas change quite quickly now and the adjustment from working under extreme pressure and tight deadlines to having more time to develop is something that you think will only benefit the process but in reality adjustments and uncertainties occupy many things. time.

FC: Tell me about the process from sketch to production …

The process from sketch to production is very interesting because each garment is made in a different way. Sometimes there is a very clear visual idea that we detail very deeply in sketches on paper and at other times it is something that comes alive attached to the body. Sometimes something made in a certain direction changes into something when the force inspires to go in a new direction. The process of developing a collection really is something that changes until the morning of the show. After the collection is displayed, it will be sold and seen by our stockists. We often develop exclusive works with our buyers and from our sales campaigns we really begin to understand how collections will be translated commercially. After the sale, we really spent a lot of time aligning clothes in production. Here we tweak the waist circumference bottom keyhole hemlines etc. Many things work well editorially or in show format when you create fantasy but don’t have to be translated into the real world. It is important to us that we keep our clothes as close to the dream as possible, but to make sure women can feel and feel great about wearing them.

FC: How would you like to see your label develop?

We are very fortunate to work with extraordinary stockists around the world and we look forward to continuing to develop our distribution in a very organic way. For us the goal is never to redistribute the collection, but to make it very special and available in a very beautiful space. We want to continue to build long-standing relationships with all our retail partners. We recently launched an exclusive bag collection with Net-a-Porter and we hope to explore more categories in the future as the brand develops into what we hope will become global.

Buy labels on their labels website and in leading stores globally.


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Former PCB chief Khalid denied saying the 1999 WC match had been fixed | Instant News

LAHORE: Former chairman of the Pakistan Cricket Council (PCB), Khalid Mahmood, has denied saying that the national team’s match against India, Bangladesh and Australia at the 1999 World Cup has been improved. According to reports, Mahmood, in an interview the day before, had labeled former fast bowler Ata-ur-Rehman a “liar”, saying that if he was honest in his statement to the Qayyum Justice Commission, Wasim Akram could be in trouble. The statement insinuated that Mahmood thought the trio of matches mentioned at the 1999 World Cup had been improved. However, he has since clarified his stance, saying that he only intended that in all three defeats Pakistan’s performance was “below standard”.


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Fashion Brand NYC AREA Builds Intricate Collections and Sects that Follow | Instant News

Piotrek Panszczyk and Beckett Fogg are the duos behind really Gen Y ready-made brand and accessories, NYC AREA. For context, the label was established in 2014 in downtown New York City, and they met while studying at Parsons to get a Masters in Fashion and Community Design.

One from Kentucky and the other from Poland, and therefore expects a brand that combines their two awards, namely in the form of expertise, textile development, and innovation in jewelery (just look at the complexity of the crystal).

The couple focus on modern glamor, their lines representation (in interwoven) of the current scene. TIs this satin duchesse, lamé, leather, denim layered and cherry on it? Well, that’s the abundance of crystals that adorn everything, ranging from sweatpants, LBD, jackets and specially cut hoodies, to cute high heels and statement jewelry.

Brave and brave, their collections are confident and brave, just like their women. This designers create their own culture and followers. I mean, wall flowers don’t need to be used for this one, and that’s why it’s interesting.

Felicity Carter: What is your first memory of fashion?

Piotrek Panszczyk: I was surrounded by fashion from a young age, many of my aunts and mothers sewed at that time, when Poland was a communist country, so naturally I began to be interested in what fashion can do for you.

FC: Tell me about your background …

Piotrek Panszczyk: I studied fashion at the University of Arts Artez in a small town in southeastern Netherlands. The great thing about the Netherlands is that it is a short train journey from cities like Paris and Antwerp. I began an internship in Paris at the French fashion house Chloé, which led to working with the creative director at that time. It really opened me up to what might happen with fashion in the future. After that I was at another French fashion house, Emanuel Ungaro, who, although at that time was not very good, affected me because it made me understand what business apostasy can do. If the essence or true passion is missing from a brand, it will not exist. After that experience, I contacted Shelley Fox, director of the course at the MFA Fashion Design Society at Parsons in New York, and I decided to move to New York to be part of the course. This is where I met Beckett. This course is an opportunity for us to really learn about the importance of personal identity.

Beckett Fogg: I studied Architecture at the University of Virginia before getting an MFA at Parsons. I liked the original design, not specifically fashion until I moved to New York. After Parsons I worked at Calvin Klein Collection for about a year before Piotrek and I decided to start the Area.

FC: How do you summarize aesthetics?

NYC AREA: Progressive charm.

FC: What is luxury for you?

NYC AREA: Luxury is an ongoing theme in our collection. We love exploring the meaning and symbolism of luxury through various cultures and decades. We find that people have more in common than they think. Besides having so many cultural meanings and their direct relationship with wealth, it also means something that is very pure to me, like crafts. Luxury for me can be a perfect embroidery technique, through which various specialists and craftsmen translate ideas into something beautiful and considered, which can inspire the future and have their own moments in culture.

FC: Who are your customers?

NYC AREA: Our customer is always growing and developing, but he is looking for something special and emotional. A piece that you can appreciate because it makes you smile. It could be someone who took the opportunity to take a photo of themselves, or an extraordinary doctor who celebrated his own success by buying one of our crystal glass chain pieces.

FC: What do you each bring to the label?

NYC AREA: The role over the years is naturally divided. Beckett approaches our brand from a business perspective and I am responsible for the creative direction and translates it into a series of products that can be purchased by customers and become part of our creative vision.

FC: How does social media play a role in your brand?

NYC AREA: It really gives us the possibility to receive immediate feedback and see what works and what doesn’t. Our social platform has a high involvement that is directly connected to our e-commerce. Social platforms are the best way for us to express our creativity, while also testing products at the same time. My husband Kareem is responsible for directing our social media and digital e-commerce platforms. It’s important to connect directly to social media because it teaches us a lot about how customers shop and what they are looking for.

In wholesale we are in the hands of buyers and they decide whether they want to try a product or not. We have seen with social and digital media that listening to consumer demand firsthand is more valuable and honest, and, if we listen, we design products that we know will come forward.

FC: What is the foundation of your company?

  • Progressive and imaginative charms are inspired by contrast and difference
  • The importance of prioritizing creativity, which will inspire products to be more honest and special
  • Celebrating inclusiveness by contextualizing narratives in various ways to create connections through our designs globally
  • Creating quality products that are made with care and accuracy that can last a long time and may be gifted or rediscovered in recent years

At present, we take this time to reflect on our priorities and mission, to define and contextualize our creative processes to define new ways of working. The industry has been functioning for too long based on outdated sales and seasonal structures that are no longer relevant to consumers today. We will determine our own calendar moving forward, and our creative process will determine the structure.

FC: What’s on your mood board right now?

NYC AREA: Our upcoming collection will surround the concept of mirrors, which we will explore in all possible ways. We see it conceptually as a means of self-reflection where we are and look back at what we are doing and maybe how we can push it forward.

FC: What are the long-term goals for your business?

NYC AREA: Especially in these times, it is important for us to rethink how we do business as an industry. We have been part of a machine that has not worked well for a long time with each brand needing to produce 4 large collections in a year, of which only a small proportion have commercial potential. Now we are forced to stand still so we can see what has worked in the past and what should be the focus for the future.

We need to work towards a model that produces less, but more meaningful work. Our customers already have a clear direction about what they like and at what price point and we have to take that into account and change the way we release products throughout the year without producing waste. We think fashion can be an important part of culture and have a direct effect on people. This gives you confidence and can be very empowering. We think it’s time to think about these values ​​and ensure that we stay focused on how to achieve that and hopefully have a more balanced industry in the coming years.

Learn more and buy brands for them website.


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Can you curate the Fashion Museum Exhibition from Home? | Instant News

An item from the Museum at the upcoming FIT exhibition “Head to Toe.”

Photo: Owned by the Museum at FIT

For most of us, “a day at the museum” reminds us of a relaxed Saturday or holiday in our favorite city. But for Melissa Marra-Alvarez and Elizabeth Way, the hours spent at the museum are all daily work – jobs that have changed significantly when locked.

Both are from Museum on FIT, Marra-Alvarez as education and research curator and Way as costume curator assistant. Before the coronavirus pandemic hit New York, they collaborated on a new exhibition called “From head to toe“With socially distanced steps at the moment, they cannot launch it according to plan. But that doesn’t mean that their work has disappeared – on the contrary, Marra-Alvarez and Way are still working hard to prepare when the museum can be opened to the public again, uncertain despite the boundaries that time might be.


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Looking forward to the Anglo-Pakistani series: Michael Atherton | Instant News

Lahore [Pakistan]April 11 (ANI): Former British batsman Michael Atherton says he looks forward to the upcoming series between Britain and Pakistan because the latter has a good record against the Three Lions in England.

Britain and Pakistan will play three Tests and three T20I. The series will start from 30 July if the current situation improves.

“This should be amazing. It’s a big summer for England. It won’t be as big as last summer because it’s the World Cup and Ash, which is always a little different. But, this year, we have Pakistan and the West Indies coming. Pakistan has a record very good against England in recent years in England, “Pakistan’s official website Cricket Board (PCB) quoted Atherton as saying.

“They are always a valuable team to come and they have good support from many people. Cricket must be good and very competitive. We hope to see Pakistan in England this summer,” he added.

Atherton then praised Pakistan’s T20I captain Babar Azam.

“Babar Azam seems an extraordinary player to me. He looks very skilled and the game looks very easy for him. I am looking forward to watching him play. This is a challenge for the players when they come from the subcontinent to England,” said Atherton.

“The last two, three years the conditions, in Britain, have been extreme in fact: Duke’s balls and spotlights and, you know, the way the ball has moved, so it will be a challenge for all Pakistani batsmen, but I think they will be ready for it,” he added.

England is currently placed fourth in the World Test Championship standings with 146 points from nine matches.

Pakistan is fifth with 140 points from five matches. (ANI)


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