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Cardi B Retains Her Birkin Collection and Her Hip Hop Influence on Fashion | Instant News


Cardi B has a clear message for those who criticize the Hermès Birkin bag collection or question her and fellow rappers’ fashion choices.

On October 26, the artist took to Instagram to answer criticism in a short video. According to Cardi, she saw a “viral tweet” about how women in hip hop, including Cardi and her friends, “belittle” the value of the iconic and expensive Birkin bag. “Why do you ask female rappers if they can get Hermès bags from the Hermès shop?” Cardi asked in the video. “You can’t do this to these white celebrities, so why do you have to ask us, what is it like?”

Cardi went on to point out that the rapper’s slumping brand had proven to be increasing their sales, and he shared a few examples from his own career. “They say we depreciate value. In fact, we add value! When we mention a brand in hip hop, it goes up,” Cardi said. “When ‘Bodak Yellow’ comes out, you can search Google for sales [of Christian Louboutins] increase 1000% +. When I do ‘I Like it Like That’ and I say, ‘I like those Balenciagas, which look like socks,’ it goes up too and that’s why they worked with me this year. In hip hop, we start a trend. ”

Hip hop artists have been chanting for their favorite designer brands for decades, which has exposed racism in the fashion industry but, of late, also led to collaborations between musicians and design houses. Cardi also took a moment to expose the racism behind this type of comment, pointing out the double standard between when white celebrities and influencers get Birkin versus when people of color do. “Why is it that when a black girl or a Hispanic girl has a bag, you all have to question whether ‘Oh is fake?’ or ‘He’s a crook,’ or ‘He’s damn it [someone] therefore.’ Actually, there are a lot of boss * ss b * tches here. “

That Birkin bag has legendary status, in part because of its astronomical price tag and long waiting list for bags. Her allure is only intensified by celebrities such as Cardi herself, Kris and Kylie Jenner, Drake, and many more, which have a large collection of coveted Hermès carry-on. (Cardi’s daughter, Kulture even has it mini one to match her mother.) Shortly after Cardi posted the video, Offset also uses his Instagram to echo those sentiments. “Stop letting people on the internet tell you who can get Birkins in the store, and how many Birkins you can get. Black people who have access to luxury shouldn’t be in the debate … in the way hip hop started the trend! ” he write beside a picture of him and Cardi with his Hermès collection.

In the video, Cardi also adds that she recently visited the Hermès shop and picked up four more bags to add to her collection, but is careful to remind that even if you don’t have the cash to print a Birkin bag, it doesn’t. does not mean you are inferior to others. “Don’t feel like you have to compare yourself and go down Canal Street to get a fake to follow him. Damn the Internet is fake … You’re still a bad bastard, period.”

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Cynthia Erivo, Bella Hadid, and More to Join Vogue’s Virtual Forces of Fashion Summit | Instant News


After yesterday’s announcement that Sarah Jessica Parker and Christopher John Rogers will be sitting together for the first virtual event of the year Mode Forces of Fashion Summit on November 16 and 17, more big names have been added to the list. Tony and Grammy award-winning actor Cynthia Erivo will join designer Craig Green for a panel that will explore their very distinctive career path and the importance of risk taking. And Louis Vuitton’s male creative director and Off-White founder and designer Virgil Abloh will chat with supermodel Bella Hadid about “Blazing a Trail”. Both friends and colleagues will talk about their growth paths and why it is so important for us to support young creatives in their efforts to change the world.

In addition to these two panels, stylist and Mode Contributor editor Gabriella Karefa-Johnson will lead a discussion titled “Whose Positivity” with models Paloma Elsesser, Precious Lee, Jill Kortleve, and Tess McMillan that will center on their experiences in the industry and the very real work that still needs to be done around size inclusiveness in the world. mode.

Other panel speakers included ModeThe cover stars November and October Naomi Campbell and LizzoThe latter will talk to designer Jeremy Scott, Victoria Beckham, and Alexander McQueen creative director Sarah Burton. Also participating this year are AZ Fashion’s Alber Elbaz, creative director Bottega Veneta Daniel Lee, photographer Ethan James Green, creative director Loewe and founder of JW Anderson Jonathan Anderson, and writer and director Reggie Yates. Topics will cover racial equality, sustainability and the future of the fashion industry as a whole. The two-day virtual event will include remarks from Mode editor-in-chief Anna Wintour, direct Q&A Mode editors, networking sessions, and stop-by from surprise guests, as well as morning wellness and happy hour sessions on day two.

Further details and tickets are available at Forces of Fashion website. Check back for updates ahead of the event, which will take place on November 16 and 17.

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10 Parsons graduates flaunt their collections in a sad new fashion film | Instant News


“When the industry collapses and you feel like you have nothing, it’s another way of thinking you have everything because everything is possible,” Chi Yu Han later said in his short film. “In March, when it first started, I was very depressed and I think I was very lucky,” Han said by phone. “I just spend time alone in my apartment, thinking about things I never had before, what is fashion like? What kind of position would I like to place in the fashion industry? And what is the purpose of my thesis? … As a designer, what can I do to help society? “Those pauses made Han explore his personal history.

“My graduate collection is inspired by my childhood. When I was three years old, I loved digging into my sister’s closet, wearing her gown, and dancing in our house. It was such a wonderful moment before I realized that it might not be appropriate for a boy to wear a dress. I just value it as an object, ”said Han. With that memory as a starting point, she purchased a vintage dress to recreate the experience, eventually using it as inspiration for a collection that challenges the line between traditional perceptions of male and female style.

The transition to a virtual school presents its own challenges. “It’s a lot about problem solving,” said Joff, who noted that the requirements for graduate collections changed from apparel to finished toiles. “Shelly and I came up with plans to see how we can further support them and just make sure that this collection is complete,” he continued. Through connections in the industry, Fox and JOFF were able to secure multiple factory support in New York to help deliver on the final 10 designer project.

“We have to do Zoom fitting. The students would bring their friends, give their friends work, film it in their apartment – lots of walking up and down the hallways outside their apartment so we can see the clothes, “Fox said. “Some of them are amazing at doing that and are able to communicate their work through digital media.”

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Let Harry Styles Take You on a Dreamy Tour of Italy | Instant News


For us American passport holders, Italy, due to international travel restrictions, is out of reach. And to be honest? The rate at which this pandemic rages, will probably last quite a while! The only Naples we’ll be visiting in the near future is in Florida.

Before you sadly stare at your corner store dollar cutout, try to make it a reality Pizza, Let us offer you sweet la dolce vita solace: Harry Styles’ music video for “Golden”. Some background: This September, the singer seen driving a convertible–And then, the speedboat – went around Amalfi Coast. Fans suspected he was up to something: he slowly released a single from his second album, Fine lines, which was released in December 2019. Look, they were right.

So let’s go on a cruise with Harry, shall we? The video starts with him running through the winding roads and narrow tunnels of Amalfi. (Fun fact: it’s often so narrow that only a car the size of a Fiat can get past it.) Then, he walks past the beautiful scenery, where colorful Mediterranean villas dot the cliff sides – most likely. Positano as approached from Praiano. A cotton-candy sky setting behind him – a nod to the proposal for “Golden Hour”, a photographic term for the time before sunset. (Styles isn’t the only fan of the look: Kylie Jenner celebrates her 22nd birthday at Siren, a charming fire-red hotel that provides a perfect panoramic view of the city.) Everything is interspersed with stylish bits and pieces on a beach trip in an antique convertible, in which he is wearing exquisite Gucci gloves.

Soon, Styles began to move from land to sea. Dancing on a rocky shore, Styles finally plunges into the crystal waters of the Amalfi Coast. Behind him, the cave’s darker waters await exploration. (The area is mainly known for caves, with the Blue Caves off the coast of Capri being the most famous.)

Hey, at least someone’s still alive sweet life.

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Everything You Need to Know About The Met’s “About Time: Mode and Duration” Exhibition | Instant News


Can we? The industry is well aware of overproduction and overconsumption, but staying in business means getting on the path of more, more, more. It’s an idea that is illustrated, perhaps inadvertently, by the influx of designers who have forgotten history for their reluctance to play the more game of fashion: Lamine Kouyaté Xuly Bët’s upcycled lettuce hem dress was included alongside Stephen Burrows’ original 1975 lettuce hem ensemble. “I ended the show with the idea that there was a 24/7 need for everything, that the rush and the urgency had stopped time,” said Bolton. “It really needs to be addressed.”

Gallery view from the second gallery.

Photo: © The Metropolitan Museum of Art

The final look at the show, unlike the others, was white. Viktor and Rolf’s patchwork upcycled patchwork suit hung like angels just before the exit, with a circle of lace and light around the mannequin head. Bolton said the haute couture display served as a sign of hope for sustainability, community and shared ideas to change the fashion of the future. Will it be needed? Time will tell.

About Time: Fashion and Duration opens at the Metropolitian Art Museum on 29 October. Entry can be done with a timed ticket. This exhibition was made possible by Louis Vuitton, company sponsorship also provided by Condé Nast. Additional support was provided by Michael Braun, John and Amy Griffin, Nancy C. and Richard R. Rogers, the Natasha and Adar Poonawalla Foundation, and Dana Laura and Raymond Johnson.

Dress, Viktor & Rolf (Netherlands, founded 1993), haute couture spring / summer 2020; Thanks to Viktor + Rolf.
Headpiece by Shay Ashual in collaboration with Yevgeny Koramblyum
Photo: © The Metropolitan Museum of Art

In the first gallery.

Left: “Bar” suit, Christian Dior (France, 1905– 1957), jacket, spring / summer 1947; Mrs John Chambers Hughes’ Gift, 1958 (CI58.34.30). Skirts, spring / summer 1947, edition 1969; The Gift of Christian Dior, 1969 (CI69.40).

Right: Ensemble, Junya Watanabe (Japan, born 1961), fall / winter 2011–2012; Courtesy of Junya Watanabe Comme des Garçons
Photo: © The Metropolitan Museum of Art

Gallery view from the first gallery.

Photo: © The Metropolitan Museum of Art

Gallery view from the second gallery.

Photo: © The Metropolitan Museum of Art

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