Holiday began publishing global travel features just as the world emerged from World War II. The name itself is optimistic (much cooler than a holiday), the mood is reflected in a living, literary, and very visual page. Even the hardcover, inside the book jacket, is the resort-evocative Lilly Pulitzer-pink.
On Holiday, there are bikinis, rattan chairs in cafes and sailboats with their spinnaker flying, flying with the wind, as if a metaphor for the post-war era.
And there is a lot of Wasp culture. A 1954 photograph, for example, depicts the official Glyndebourne Festival official dressed in official standing in the courtyard of a plantation outside London. As the cutline noted, they arrived one full hour early in their evening clothes “for afternoon tea, to discuss Wagner and Verdi, to take a walk next to the herbal border and to admire fine cows and aged trees. a century. “
But various magazine travel plans also bring readers from Cuba to Iowa to Zanzibar.
The pages are also about places of thought, Fiori noted. These elements are now interesting books that combine travel and media history.
Fiori, who began his publishing career in a magazine in 1968, tracked Holiday from its inception to its decline. His views on disposables monthly (1946-1977) are rich in pictures by famous photographers and illustrators from the mid-20th century. Camera cadres include Slim Aarons, Henri Cartier-Bresson, Robert Capa, Burt Glinn, Bruce Davidson and Arnold Newman.
Some have covered World War II and are relieved to focus on scenes of cheerfulness, community and leisure. The world seems open again to discovery and frivolity.
“Most of the [French] The Riviera was closed during the war, except for the Monte Carlo Casino, “read a 1948 Vacation report from Cannes. “But the last two seasons are almost normal.”
The accompanying photo depicts people drinking in the midday sun at the Carlton Hotel Bar. (The hotel and bar, which is featured in “To Catch a Thief,” Hitchcock, still treat guests with a view of the sea.)
Capa, “considered the greatest, most fearless fighter photographer of all time,” Fiori said, wrote a clear piece of light for the French summer magazine at Deauville and Biarritz.
“Normandy is the summer capital of Paris,” he wrote. “The Deauville season runs from 15 July to the third week of August. Then the polo players, beautiful girls, playboys and maharajah set out on the second leg of their journey; they took the road south and traveled 500 miles to catch the season at Biarritz. “
There is plenty of coverage of beautiful people and their playgrounds. Some feature places still welcome guests, such as the Miramare Hotel in Positano, Italy, and Marbella Club in Spain.
Aarons’ photo captures the highly tanned actress and model Marisa Berenson, who was photographed in Capri, Italy, with fellow Alberta Tiburzi models. We see other international equipment: Bridget Bardot; Sir Run Run Shaw, Hong Kong’s entertainment mogul, in addition to his Rolls-Royce; and C.Z. Guest, (actress, best regular dress list, horseman, socialite), in Palm Beach, Fla.
Dear writers sent to sites all over the world. Byline including E.B. White, William Faulkner, Eudora Welty, Alistair Cooke, Jack Kerouac and Joan Didion.
American writer John A. Williams describes his experience traveling around the United States as an African-American. Santha Rama Rau addresses a misunderstanding about India (the whole country is not hot). Iowa is the subject of Paul Engle, who noted, “His only greatest strength is poop – fat poop. … the land rises and falls, uneven, does not break into steep hills, but always tilts its fertile face into the sun. “
V.S. Pritchett, the English writer, referred to Portugal as tile land, writing, “Houses, churches, banks, cafe tiles inside and often outside as well, and the tiles echoed so that one or two men in the room voiced like a crowd. in the bathroom. “
Fiori included White’s essay in New York, a city he described as a place where people can be alone in the crowd – quite relevant now when the affected city is destroyed.
“Better than most dense communities,” White wrote, “it manages to isolate the individual (if he wants it, and almost everyone wants or needs it) to all the great and great events that happen every minute.”
Cooke, a journalist and broadcaster known to many as PBS’s “Masterpiece Theater” host, said that his favorite day trip to anywhere in the United States was east of Spokane, Washington, to Missoula, Mont.
He added, “If I had to choose one of all the American natural phenomena to be seen before I die, it would be Bryce Canyon” in Utah.
Holiday problems feature bold illustrations by top graphic artists. Their work was extraordinary in the middle ages like a modern-Danish chair. The names include George Giusti, Ronald Searle and Edward Gorey. Samuel Maitin’s highly modern illustration of “California Without Cliches” covers the 1965 issue which included Didion’s essay on Sacramento.
“It’s hard to find California now,” Didion wrote, “unsettling to wonder how much is only imagined or improvised.”
Among the illustrators whose work appeared on the Holiday page was Ludwig Bemelmans, known to many from his “Madeline” books and whose frames were still displayed on the walls of the Bemelmans Bar in Carlyle in New York.
Also displayed is the famous caricature, Al Hirschfeld, whose pictures express excitement with characters who are full of life. Hirschfeld and humor writer S.J. Perelman traveled the world for a Holiday that produced the news “Westward Ha! Or Around the World in 80 Cliches. “
Unlike travel, which mostly has a clear start and end, Holiday fades, struggling to stay relevant.
Lifestyle magazine reflects the era. And with attractive covers and lively closing lines, they are forever optimistic.
In 2014, Franck Durand relaunched the title of Holiday magazine. It is published twice a year. In the concluding words of the book, he writes that despite “alarming international events,” the new holiday “chooses to observe reality with an entertained attitude of elegance and hedonism, which contradicts current trends.”
Post-pandemic, travelers will once again come out, like the original magazine written in the mid-1940s. Until then, Fiori’s book provided alcoholic drinks, sort of, moved readers’ desire to use their passports again, after the viral war.
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